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Sunday, September 13, 2020

Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora

It's always exciting to see short African speculative fiction gain traction in an anthology, and Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora edited by Zelda Knight and Ekpeki Oghenechovwe Donald most certainly delivers a range of tales. I will admit upfront that not all of the stories hit the mark with me, but I'll give a quick run-down.


"Trickin'" by Nicole Givens Kurtz provides an unsettling, post-apocalyptic vision involving a monstrous entity named only as Raoul who goes about wreaking bloody havoc on Halloween before sinking from the land again. The writing is solid, evocative even, but I felt as though I wanted a bit more of a wrap for the ending.

Any time I crack open a Dilman Dila story, I know I'm in for an unusual treat. "Red_Bati" introduces us to the artificial intelligence Akili, who deals with somewhat of an existential crisis. Dilman's writing is clever, and also a bit unsettling, and makes us examine non-human awareness and rewriting reality.

"A Maji Maji Chronicle" by Eugen Bacon is filled with beautiful imagery. As always, her style is lyrical and evocative, and gives us magical time travel with a twist as two visitors from the future cause mischief in Africa's past. It feels like a fairy tale, but has a darker undercurrent to counterbalance the whimsy.

"The Unclean" by Nuzo Onoh is a grim story of an arranged marriage and the cruelty people inflict on each other, spiced with a side order of serious body horror. You discover from the get-go that there's a heavy supernatural element, but it's the slow build to the unsettling finish that gives the quiet thrill. Powerful writing here.

As always with any anthology, there will be a story that didn't work for me in any shape or form. Unfortunately I didn't gel with "A Mastery of German" by Marian Denise Moore. The story took too long to get off the ground and I was disinvested quickly – perhaps mostly due to the story playing out in a sort of corporate/research environment.

"Convergence in Chorus Architecture" by Dare Segun Falowa may have quite a pedestrian start, but it melts into a vision of what can best be described as the lovechild of Salvador Dali and Zdzisław Beksiński. It's weird. It's wild. It's nightmarish. And I loved this story so very much.

While I didn't care much for her short story in this anthology Marian Denise Moore's poem "Emily" offers stark imagery filled with yearning. It's short but haunting. 

"To Say Nothing of Lost Figurines" by Rafeeat Aliyu has more of a standard fantasy-adventure feel, which follows the doings of the magician Odun who is searching for a magical figurine that was stolen from him. Of course its retrieval does not go smoothly. This story has more of a feel of a prelude to longer-form fiction, but it's still enjoyable. 

Oh my gosh, "Sleep Papa, Sleep" by Suyi Okungbowa Davies hit all the right notes for me. Max deals in illicit body parts, but he gets more than he bargained for when he sells bits and pieces harvested from kin. I really don't want to spoil this one for you – Suyi is a master of building tension.

"The Satellite Charmer" by Mame Bougouma Diene offers a vision of Africa pillaged by Asian mega-corporations equipped with terrifying technology. And it's about Ibrahima, who struggles to come to strike a balance between the old and the new, and the siren call of a destructive power beyond the reality he knows. This story is is a threnody of lost innocence, endings and transitions.

"Clanfall: Death of Kings" by Odida Nyabundi is another tale that feels more like an action-packed prologue than a fully rounded short story. That being said, I was left wanting more of this melding bio-mechanoid warriors and tribes duking it out for dominance. 

"Thresher of Men" by Michael Boatman didn't work for me at all. I couldn't immerse and ended up skim-reading. The fault most likely lies with the reader, not the author, so you'd best make up your own mind on this one.

"Ife-Iyoku, The Tale of Imadeyunuagbon" by Ekpeki Oghenechovwe Donald tells of a people living in a world ravaged by a cataclysm. Society as we know it has crumbled, and these hardy survivors battle against a hostile environment poisoned by radiation and rife with mutations. The people themselves have beneficial mutations, and they survive by enforcing a rigid caste structure – for the benefit of the whole. But what happens when someone yearns for individuality? How does this put a precarious community into peril when there is a threat from without? At times violent and bloody, this action-packed tale of survival nonetheless offers some brutal twists in terms of challenging traditions.

All in all, Dominion offers a diverse selection of stories that showcases the depth and breadth of African speculative fiction. If you're tired of the same-old, same-old in speculative fiction, then step off the beaten track with this anthology. There's some strong stuff here. 



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