Speaking of dragons, this book has 'em.
We meet Tané, a dragonrider; Ead, a mage belonging to a secret order who must safeguard a queen; and of course Queen Sabran who must face great adversity to rule her land. I don't want to go into too many particulars – this is way beyond the scope of this review, but I will touch on themes. We do have an outside, existential threat that reminded me somewhat of The Lord of the Rings in terms of the world-breaking aspect that the different protagonists face. It's a ticking clock, if you will, with it being quite clear that if East cannot treat with West, then everyone's doomed.
Sabran is very much a Queen Elizabeth figure, while our enlightened meddlesome mages with their orange tree are suggestive of our Assassins or yore, and of course our dragonrider's culture is very much a nod to Imperial China – and it's really a lovely combination, with plenty of adventuring and derring-do. And the sapphic angle was wonderful to see so effortlessly front and centre.
But...
Of course, there's a but.
While the story starts off strong, and Shannon has oodles of awesome happening, I feel that she falls afoul of the the law of 'too much awesome'. One of two things should have happened: the novel should have been reeled in and simplified with perhaps fewer subplots and viewpoint characters in order to focus more on shoring up the stronger main arcs or, alternatively, it should have been expanded into two or three books, with more attention given to fully developing all the narrative arcs.
While I still found this an entirely enjoyable read – enough so that I immediately purchased the next book in this setting, I felt that about 3/4 of the way in, Shannon suddenly came to the startling conclusion that she needed to wrap the story. Whether this was due to the publisher's deadline or a self-imposed one, who knows, but the last quarter of the story feels somewhat dashed off. She gets off to a strong start but then either lacks the will or the wherewithal to see it through to the end. And this is a big book – one I'll likely read again in a few years. The world is big enough that it wouldn't have hurt to develop this further to give The Priory a more dynamic ending. It's not a deal-breaker, but definitely a thought I've had.
As you can most likely gather by now, I feel quite strongly about Samantha Shannon's writing, enough that I'll go on a limb. I really love what she's doing, however, and I'm glad that she's getting the opportunity to tell her stories.
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