Wednesday, September 16, 2020

Jivaja (Soul Cavern #1) by Venessa M Giunta

 I have a sweet tooth for vampires in film and fiction, so naturally Jivaja by Venessa M Giunta caught my fancy. While I do enjoy the standard tropes, it's often refreshing to see an author push the mythos a little further, as Giunta does.

Mecca has a special power – she can see into "cavern" of a living being and steal their power. It's a family gift, or curse, depending on how it's viewed, and until the day she's accosted by a man at a diner, she's never intentionally used it to kill. Until now.

Except the man she's killed is no ordinary man, he's Visci, a breed of vampire, and by killing him, she's essentially painted a massive target on her back.  Dragged into this murky world of immortal blood drinkers and their minions, Mecca must learn to use her powers and figure out whether she'll deal with the devil or do her best to remain free. Only things are not at all simple, for as it turns out, her father too is gifted, and he's not going to let the Visci take his daughter without putting up a fight.

Giunta's writing carries a whiff of classic Anne Rice, but it moves quicker, and the characters feel a little more in touch with their world. While the story does take a few chapters to hit its stride, I was nonetheless engaged, and enjoyed a well-realised, well-executed setting with hints at deeper lore. The writing is solid, the author has put a lot of heart into this story, and in Jivaja lays down more than enough threads to continue the saga. The only thread I felt that wasn't developed, was an incipient romantic interest which I didn't feel had sufficient motivation, but it isn't a dealbreaker. 

I particularly liked the complicated father-daughter dynamic in this fresh take on the genre, and would most certainly recommend this story to those who cut their teeth on Interview with the Vampire back in the day.

Sunday, September 13, 2020

Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora

It's always exciting to see short African speculative fiction gain traction in an anthology, and Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora edited by Zelda Knight and Ekpeki Oghenechovwe Donald most certainly delivers a range of tales. I will admit upfront that not all of the stories hit the mark with me, but I'll give a quick run-down.

"Trickin'" by Nicole Givens Kurtz provides an unsettling, post-apocalyptic vision involving a monstrous entity named only as Raoul who goes about wreaking bloody havoc on Halloween before sinking from the land again. The writing is solid, evocative even, but I felt as though I wanted a bit more of a wrap for the ending.

Any time I crack open a Dilman Dila story, I know I'm in for an unusual treat. "Red_Bati" introduces us to the artificial intelligence Akili, who deals with somewhat of an existential crisis. Dilman's writing is clever, and also a bit unsettling, and makes us examine non-human awareness and rewriting reality.

"A Maji Maji Chronicle" by Eugen Bacon is filled with beautiful imagery. As always, her style is lyrical and evocative, and gives us magical time travel with a twist as two visitors from the future cause mischief in Africa's past. It feels like a fairy tale, but has a darker undercurrent to counterbalance the whimsy.

"The Unclean" by Nuzo Onoh is a grim story of an arranged marriage and the cruelty people inflict on each other, spiced with a side order of serious body horror. You discover from the get-go that there's a heavy supernatural element, but it's the slow build to the unsettling finish that gives the quiet thrill. Powerful writing here.

As always with any anthology, there will be a story that didn't work for me in any shape or form. Unfortunately I didn't gel with "A Mastery of German" by Marian Denise Moore. The story took too long to get off the ground and I was disinvested quickly – perhaps mostly due to the story playing out in a sort of corporate/research environment.

"Convergence in Chorus Architecture" by Dare Segun Falowa may have quite a pedestrian start, but it melts into a vision of what can best be described as the lovechild of Salvador Dali and Zdzisław Beksiński. It's weird. It's wild. It's nightmarish. And I loved this story so very much.

While I didn't care much for her short story in this anthology Marian Denise Moore's poem "Emily" offers stark imagery filled with yearning. It's short but haunting. 

"To Say Nothing of Lost Figurines" by Rafeeat Aliyu has more of a standard fantasy-adventure feel, which follows the doings of the magician Odun who is searching for a magical figurine that was stolen from him. Of course its retrieval does not go smoothly. This story has more of a feel of a prelude to longer-form fiction, but it's still enjoyable. 

Oh my gosh, "Sleep Papa, Sleep" by Suyi Okungbowa Davies hit all the right notes for me. Max deals in illicit body parts, but he gets more than he bargained for when he sells bits and pieces harvested from kin. I really don't want to spoil this one for you – Suyi is a master of building tension.

"The Satellite Charmer" by Mame Bougouma Diene offers a vision of Africa pillaged by Asian mega-corporations equipped with terrifying technology. And it's about Ibrahima, who struggles to come to strike a balance between the old and the new, and the siren call of a destructive power beyond the reality he knows. This story is is a threnody of lost innocence, endings and transitions.

"Clanfall: Death of Kings" by Odida Nyabundi is another tale that feels more like an action-packed prologue than a fully rounded short story. That being said, I was left wanting more of this melding bio-mechanoid warriors and tribes duking it out for dominance. 

"Thresher of Men" by Michael Boatman didn't work for me at all. I couldn't immerse and ended up skim-reading. The fault most likely lies with the reader, not the author, so you'd best make up your own mind on this one.

"Ife-Iyoku, The Tale of Imadeyunuagbon" by Ekpeki Oghenechovwe Donald tells of a people living in a world ravaged by a cataclysm. Society as we know it has crumbled, and these hardy survivors battle against a hostile environment poisoned by radiation and rife with mutations. The people themselves have beneficial mutations, and they survive by enforcing a rigid caste structure – for the benefit of the whole. But what happens when someone yearns for individuality? How does this put a precarious community into peril when there is a threat from without? At times violent and bloody, this action-packed tale of survival nonetheless offers some brutal twists in terms of challenging traditions.

All in all, Dominion offers a diverse selection of stories that showcases the depth and breadth of African speculative fiction. If you're tired of the same-old, same-old in speculative fiction, then step off the beaten track with this anthology. There's some strong stuff here. 

Wednesday, September 9, 2020

The Space Race narrated by Kate Mulgrew

We finally caved and got an Audible subscription, and The Space Race narrated by Kate Mulgrew was the first title I picked up. She's the voice actor for my favourite video game series, Dragon Age, but she's also one of my favourite characters in the series Orange is the New Black. And some of you might know her as Captain Janeway of Star Trek fame. Needless to say, she does an absolutely fantastic job narrating The Space Race.

When I was a wee sprite, I wanted to be an astronaut, until it was pointed out to me that South Africa (at the time) didn't have a space programme. But that hasn't stopped me from having an interest in all things space, although I've gone from wanting to be an astronaut to writing the occasional science-fiction, so there is that.

The Space Race comes alive not only with Mulgrew's narration, but also interviews with the movers and shakers in space-faring technology, and also the little dramatical reconstructions slipped into the main body of the narrative. We get to see the roots of space exploration seeded in the R2 rockets of WW2 all the way to our potential for setting human feet on Mars. We relive dramatic events, for instance the Shuttle Challenger disaster that traumatised me as a child. We see also how space exploration, once dominated by white male Americans and Russians, is now opening to people from all over the globe, of different nationalities, who work together in our international space station.

What I love about this audiobook is that it reminds me that we, as a species, have broader horizons to conquer if we have any hope to survive into the future. If you have a love for the history of mankind's exploits in space, or just want to catch up, this is a good starting point packed with content.

Tuesday, September 1, 2020

A Conjuring of Light (Shades of Magic #3) by VE Schwab

I'm glad that I've been able to dip into VE Schwab's Shades of Magic trilogy. It has all the elements I love, including princes, thieves, pirates and courtly intrigue, all tied together with a well-realised magical system. Her writing offers just enough description to let your imagination fill in the rest to create a vivid world populated with fascinating characters.

In hindsight, I feel that book 2 and 3 are basically one book that's been split in two, with book 1 of the trilogy giving us a prequel of sorts. But what Schwab does well is tie up all her loose ends while leaving just a hint where this world might be revisited in the future. (And I have many Thoughts on that.)

While parts of A Conjuring of Light felt a bit left of field (a fetch quest in the middle of the story), Schwab nonetheless delivers a tale that's engaging and filled with lore at every turn. We get to see a bit more of the world, other than just the various Londons.

Rhy really has an opportunity to shine in book 3, which is both beautiful and filled with much sadness as he plays a more prominent role, and a redemption arc that develops is ultimately quite satisfying. The dynamic between Kell and Lila is intense yet prickly as always, with Alucard and Holland offering a solid counterbalance. The situation between characters is often fraught with tension, which makes for some entertaining scenes.

I don't really have that much more to say, other than this being a satisfying read that hit nearly all the right notes. Considering that I was looking for something that has a whiff of Gaiman's The Sandman, this was a good match.

Sunday, August 30, 2020

Author spotlight: Eugen Bacon

I'm super excited to have Eugen Bacon stop by my blog for a quick chat. Some of you may have heard that her novel Inside the Dreaming is releasing soon. So, here goes!

You have a Tweet length to tell the world about your writing (280 characters) – and go!  

Curious, playful, provocative, poetic, cross-genre, cross-cultural. Text shapes my silence. It shouts my chaos. I feel safe when interrogating complex and unsettling themes. My approach to the compositional space is with a sense of urgency where writing is an active speaking from a place of knowing, or unknowing.

If you think about what has led you to becoming a writer, what are some of the key milestones that stand out?

A love for text from an early age—how and why stories: why the zebra… / how the crocodile… / when the hyena… / what the monkey… 

My father, the values he instilled in me, and a wonder about things beyond comprehension. 

A deep fondness for musicality in text, hence my attraction to Toni Morrison. 

Doing a PhD in writing and discovering literary theorist Roland Barthes, who found pleasure in the text; uncovering features of the ‘rhizome’ that philosopher Gilles Deleuze and his collaboration with psychoanalyst Felix Guattari produced in A Thousand Plateaus (1987), where the rhizome ‘has no beginning or end; it is always in the middle, between things, interbeing, intermezzo’. I see rhizomes every which way in my text: deviation, plateaus, interconnection. A distortion that is whole. 

Which cultural objects have resulted in massive ‘aha’ moments for you? 

Drums. Folklore. Spirits. Masks. A close affinity with water, nature, language, rhythm.

When I write, I read text out loud—how it sounds, what is sees, the shape of its flow is important. It’s like a ditty in my head, I just know when it feels right. 

In your own work, do you ever indulge in intertextuality?

Yes. There’s a deep connection between texts, hence my crossing genre and writing across forms. Mine is a betwixt kind of writing. Perhaps that’s why I’ve taken naturally to prose poetry—literary vignettes on the everyday, the cousin of a poem and flash fiction, words and imagery enmeshed in art and metaphor. 

I learnt balance from Barthes, for whom text is a multi-dimensional space where things are made and unmade, where language is infinite, and literature deepens or extends language. 

Do you hope your writing sparks change in your readers, and if so, what would you like to see?

I like to think of the author as an agent of change—if not for the world, for themselves. I borrowed an understanding of the power of literature from existentialists like Simone de Beauvoir, who understood how a story and its characters interact with each other—how they are a bridge to inside out: an author or reader’s self-understanding and experience of the world they live in, or are creating. 

Inside the Dreaming is releasing via NewCon Press in December. You have no more than a 100 words to tell someone who's never heard of you or your book before what it's all about and why they should read it.

There are multiple points of intersection in blackness. Inside the Dreaming is an African Australian story, black speculative fiction that’s a murder mystery and an origins tale. Ivory Tembo, the detective assigned to the case, has secrets of her own that make her uniquely qualified to face a killer that’s far more than human. And it’s linked to the death of a man with twin souls, wrath of the gods, a new habitat. This origins story is about finding who you are. It’s a fiction that’s literary and cultural. A speculative tale that is a mystery and a history.

Eugen Bacon is African Australian, a computer scientist mentally re-engineered into creative writing.  Her work has won, been shortlisted, longlisted or commended in national and international awards, including the Bridport Prize, Copyright Agency Prize, Ron Hubbard's Writers of the Future Award, Australian Shadows Awards, Ditmar Awards and Nommo Award for Speculative Fiction by Africans. Her creative work has appeared in literary and speculative fiction publications worldwide, and 2020 sees the release of two prose poetry chapbooks, three collections and a novella—Inside the Dreaming by NewCon Press, UK.

Sword of Destiny by Andrzej Sapkowski

Continuing the short stories that spawned The Witcher phenomenon created by Andrzej Sapkowski, Sword of Destiny is the second book to pick up if you're looking to read everything chronologically. Or so I've been told. There's not a whole lot more that I can say about this collection of short stories, save that they continue to flesh out the setting and give background to the characters.

Geralt of Rivia might be considered a heartless monster hunter, but behind the imposing façade lies an individual who cares deeply. Discussions of destiny follow through as a theme, with Geralt wrestling with his responsibility towards Ciri, and how their paths keep crossing. If you've watched the first season of the series on Netflix, you'll recognise some of the story arcs, though the series does play loose and fast with the source material.

I found particularly poignant the way Geralt and Yennefer damage each other so much – and Geralt very much cares for her, even if she pushes him away. The biggest issue that I can say is that what they value in life differs vastly. We also get glimpses into Geralt's past, and have hints as to why he got started on his path as a witcher in the first place. 

As always, I feel that much is lost in translation – some of the phrasing and idiomatic expressions are clunky, but I have sufficient love for the setting to continue reading.

Friday, August 28, 2020

Realm of Beasts by Angela J Ford

At a glance, Realm of Beasts by Angela J Ford looked like exactly the kind of story I'd enjoy reading – and I'm a sucker for any kind of tale where there is a bonded relationship with fantastic beasts. But ... and yes, there is a but... The novel failed to deliver on all fronts. 

The premise sounds interesting – an unlikely pair must get over their differences to stop the ominous Master of the Forest from destroying a literal paradise. Tor Lir is a man of so much mystery, he doesn't know what his name is (so he goes by Tor Lir – the Nameless One). Citrine is a fiery enchantress who is looking for a place where she can settle with her fantastic menagerie. Their paths cross when they bump into the guardian Novor Tur Woodberry, who I'm pretty sure was based heavily on Tom Bombadil, and who sends them merrily off on their quest To Save The World.

Of course, Citrine and Tor don't see eye to eye most of the way, and there's predictably a bunch of Awkward Romantic Tension. I'm not going to go further into the plot, because this is pretty much the bare bones of the story.

But what didn't work for me at all was the writing. The syntax was often peculiar and awkward to the point where the meaning becomes ambiguous. A good line edit could have fixed this. But it wasn't just that – the writing itself doesn't flow cohesively. Characters' motivations are not well developed, nor anchored within the the story and the setting. The fact that every time Woodberry's name is mentioned, it's written in full ... And repeated, often, when a good pronoun could've worked. Random occurrences take place or characters behave in certain ways that don't feel plausible. Focus on better direct and indirect characterisation would most certainly help. And unfortunately it's beyond the scope of this review to fix.

Pacing was also a massive problem for me – the set-up took so long that by the time the characters were ready to go questing, I was no longer invested in the story, and in fact found myself paging ahead to see whether the chapter was almost done – never a good sign.

Ford shows a lot of promise, and she clearly has a highly detailed world, and I do believe that if she teamed up with a savvy developmental editor to help tighten the story and, most importantly, characterisation. With deeper, more layered writing, this series could be something. But it's not for me. Not in its current shape and form.