Following on from The Queen of the Tearling, The Invasion of the Tearling by Erika Johansen continues with the endeavours of Queen Kelsea as she deals with the consequences of the actions she took during book one. The kingdom of Mort is invading, and things are not looking good for the kingdom of Tearling. To make matters worse Kelsea is at a loss as to what she can do to stem this tide that threatens to swallow her land whole. The Mort are remorseless, spurred on by their queen who covets the magical sapphires that Kelsea possesses. In addition, Kelsea is plagued by visions from Earth's past, where she relives the experiences of a woman named Lily, whose dystopian world is just as nightmarish as Kelsea's current predicament.
It was always apparent from the first book that this was some sort of portal fantasy, however the mechanics of this discovery of a new world was unclear – so without giving spoilers, you'll discover a bit more of the history here. I'm not quite sure how I feel about this now that I'm done, because it does feel as if the world has been robbed of some of is mystery. But perhaps that is merely personal taste on my part. Also, the sapphires as a McGuffin is almost too powerful, in my opinion. Or perhaps the cost of using the stones hasn't been made explicit yet.
Themes prevalent in these books remain that of power – of women in power and women suffering at the hands of those who wield power over their bodies. Kelsea must come to terms with the power gifted to her by the sapphires, and with the knowledge she gains comes a price that must be paid. Many questions are still unanswered by the end of book two, but we are given closure where it matters. This is a solid read for fantasy fans looking for a novel filled with intrigue, mystery and a side order of cruel villains.
Tuesday, January 8, 2019
Sunday, January 6, 2019
Swordspoint by Ellen Kushner was a book recommendation from a friend whose opinion I trust, and the story was every bit as lush as I had hoped. Granted, if you're looking for something straightforward in terms of narrative, this may not be your novel. That being said, if you're in the market for a work where an author handles omniscient third person point of view masterfully with vivid descriptions of people and places, then Swordspoint is a winner.
We enter a world where swordsmen are employed by those wishing to settle scores or eliminate opponents via what amounts to legalised assassination – with rules, mind you. The swordsmen themselves are elevated to the status of celebrities – and it is one such swordsman, Richard St Vier, whose story is the primary one that we follow. Richard is dragged into the murky machinations of the local nobility, and though he is never one to be told what to do, he nevertheless tries to push back – and the results have consequences that are difficult to predict.
Much like life, there is no clean closure in Swordspoint. Where the story shines, is in its dialogue, and the mindful expression of interpersonal power play between characters. This is not so much a novel about a quest, but rather a slice of life that gives readers a glimpse into the Machiavellian plotting in a complex society. This is also a novel that begs a second read-through to pick up the bits missed the first time through. Don't go into this expecting magic, dragons and elves – this may as well be fantasy fiction of a historical bent, reminding me an awful lot of the work of Alexandre Dumas with a side order of queer and sharp tongues.