This is one of those books that I bought ages and ages ago that just lurked on my TBR pile, making me feel awfully guilty for years. I'd thought, at the time of purchase, that this collection was for adults, and indeed there was no indication on the cover that this is a YA read, but there you have it. This is YA fantasy. Not that I'm complaining, because the stories were of a consistently high quality.
I admit there is only one reason that I purchased the anthology, and that was because of Neil Gaiman – my reckoning being that any anthology he appears in will be of a sufficiently high standard, and overall, I wasn't wrong in this assumption. His story, "The Witch's Headstone" is part of the same setting as The Graveyard Book and really is as charming and dark as any typical Gaiman tale.
Garth Nix's "Holy and Iron" goes back to the ancient conflict in the British Isles, stock standard fantasy fare and a tale underpinned by the bonds of blood ... and resolving ancient conflict.
Kage Baker's "The Ruby Incomparable" gave me joy, as it harks back to classic-style storytelling that is conscious of itself within the framework of a god-like storyteller. A very well developed voice.
It was lovely also to see a Peter S Beagle story here – "Barrens Dance" had all the wonderful mythic qualities that are hallmarks of his writing, even if I'll never be certain what exactly a shukri looks like, and maybe that's all right too...
"The Manticore Spell" by Jeffrey Ford also struck me as a stand-out piece, with much sorrow and beauty attached to it.
Of course Tanith Lee's inclusion with the story "Zinder" is a treat. She deserves far more mainstream recognition for her contribution to the genre over the years. The story itself is surprising, and takes twists and turns that I could not predict.
Oh man, and the Gene Wolfe story, "The Magic Animal", was lovely. I can see why the editors left that one till almost last. I stopped reading there as Orson Scott Card is on my DNR list due to his attitude towards LGBTI people. I know folks say that one should separate the art from the artist, but I cannot in good conscience read his work.
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