Showing posts with label crossroad press. Show all posts
Showing posts with label crossroad press. Show all posts

Wednesday, July 9, 2014

On Dawn's Bright Talons

Every once in a while there’s a novel that I put out that’s what I term a “heart” novel, and Dawn’s Bright Talons is one of them. And let me tell you this one has been a journey of years – so much so that I no longer have a clear idea of what sparked the novel off.

I must add, that this is the first secondary-world epic fantasy that has seen the light of day (we won’t discuss the ones that didn’t quite make the cut, okay?). If I dig deep enough, I will admit to borrowing a little from an older, mothballed work entitled The Black Goat (it’s the name of a ship, my dearly beloveds, and the novel was about vampire pirates and ironclads and there’s a verrrrrry good reason why it never saw publication).

My characters came to me quite clearly. Isabeau is young, and still enamoured with the idea that she’s immortal (don’t we all feel like that when we’re sixteen?). She’s a dancer at an upmarket club in the city of Ysul, and she’s determined not to become a courtesan like her late mother. But she’s not doing a particularly good job raising her younger brother, as he’s running around with the wrong sort in town. Not only that, but she has no idea that she’s the heir of an ancient lineage of hereditary dhampir – a quirk of genetics thanks to her parents (who probably should never have enjoyed their dalliance). The only problem is that she may not live long enough to come into her full powers, because her natural prey – vampires – will do everything in their power to stop her from becoming a threat to their existence.

Oh, and the city of Ysul is riddled with vampires. They lurk in the shadows like malignant spiders tugging at their webs and ensnaring the unsuspecting into doing their bidding. They’ve done a lot of convincing to ensure their so-called mythological status, so anything that will upset their cosmic apple cart, so to speak, needs to be dealt with. Only none of them expected Isabeau to drop into their game. The mere fact that she even exists, is a rather unpleasant surprise for them. In the wrong hands she could be a powerful weapon. Left unchecked, she could spell the end to their machinations.

You'll also get to know Michel. He’s a young vampire who had his fill of all the political intrigue, and he’s done the unthinkable – he walked out, and refuses to have anything to do with his kind. Unfortunately for him, this has placed him in a vulnerable position, because all fledglings require a patron. When his erstwhile patron goes missing, an elder reels in those shadowy threads, and Michel is drawn back to dealing with his kind when he'd rather be running his theatre.

Of course there is no such thing as instalove for my unhappy couple. By all rights Isabeau might find Michel a tasty, energising snack, and Michel has to tread carefully, because his loyalties are about to be severely tested.

Here's a small taste...
“It’s best you attend at your earliest convenience, milord,” the young man said. He bowed at the waist, in the manner of the Delrochian families, his arms crossed over his chest. To the eye, he was unremarkable: drab hair neither blond nor brown, and a sallow complexion that spoke of mixed heritage. Ezekiel chose all his minions with care, but to what end with this one?
I stared impassively at the servant, who looked up at me with hopeful brown eyes. He was still new to this game. “Very well. Tell the lord I’ll attend at my earliest convenience.” I spoke the last two words with a sneer. Yes, it rankled that my grandsire saw fit to summon me thus, using a new lackey, no less.
He remained rooted to the spot. I smelled the sourness of his tension, the way the sweat dampened his armpits. Tiny beads of moisture collected on his upper lip and his eyes darted from side to side, as though he checked for hidden dangers. Who was I to let him think otherwise? Unlike the other vampire lords, I did not live cosseted by dozens of servants and men-at-arms. It was just me in this empty Willowbrook residence, the windows on all three floors firmly shuttered tightly against any light that might hope to intrude.
“I have a carriage, milord.” He gestured to a small cabriolet that had been drawn down the side street, half obscured by one of the large magnolias. The distinctive crescent symbol of my grandsire’s bloodline stood in clear relief: silver against black lacquer. The horse, a rangy bay, snorted, as though it was aware attention had shifted to it.
Slowly I turned back to regard the youth. His hair had been cropped close to his head not too long ago—a recently freed slave then. He must have a brand somewhere on his body. What motivated Ezekiel to have one such as this in his employ? The servant shuffled his feet, and I could only imagine how he must perceive me—a cold, dead thing like his lord, studied in my movements and almost reptilian. I might strike in a flash, and make good on the eternal threat of violence I held onto.
“Please inform your master I shall find my own way to his estate. I have matters I must attend to before it is convenient for me to address his whims.” Though I wanted to laugh at the youngster, who wasn’t much older than I’d been when I’d been turned, I didn’t. Instead I inclined my head ever so slightly, stepped back and shut the door with a quiet snick. Only then did I take heed of the fact that my hands trembled terribly.

Liked this? Feel free to feed your readers at Amazon.com, Amazon.co.uk, Kobo, Nook and Smashwords. But, of course, if you're venturesome, three lucky readers who sign up for my newsletter will each receive an ecopy of Dawn’s Bright Talons.

Tuesday, March 18, 2014

Dawn's Bright Talons – cover reveal

Okay, I've been like a schoolgirl crushing on Johnny Depp's lovechild with Brad Pitt about this cover. The release date for my dark fantasy novel Dawn's Bright Talons is still to be established. I'm currently busy with second-round edits and, after that, we'll still wrap the rest of the details for production, like the blurb and all the rest. I reckon the picture speaks for itself when we're looking at what the novel's all about. Okay, folks, meet Michel Roux and Isabeau Letier, vampire and dhampir respectively. Illustration is by the rather talented Nathalia Suellen, an internationally renowned artist. Typographical treatment is by the very patient David Dodd, who put up with my bitching until I was totally happy. The man deserves a medal.

Want to keep updated with my release dates etc, as well as any special offers, then sign up for my newsletter HERE.

Wednesday, February 12, 2014

The Hereafter Gang by Neal Barrett Jr. #review

Title: The Hereafter Gang
Author: Neal Barrett Jnr.
Publisher: Crossroad Press, 2013

If I have to sum up The Hereafter Gang in one word it would be “nostalgia”. That’s the only way to truly encapsulate what this book is about. On a superficial level this is a story about a man’s death and his journey into the afterlife where he spends his time sorting out his head before he goes back for another round.

But it’s more than that.

Mostly, this is a story about remembering and finding meaning. Doug exists almost as a sort of everyman, and here I’m also going to draw parallels between The Hereafter Gang and Jack Kerouac’s On the Road. If you read and enjoyed Kerouac’s masterpiece then ten to one you’ll *get* what Barrett is up to in The Hereafter Gang. And you’ll understand why I compare Doug with Dean Moriarty.

The pace is slow and the narrative unfolds gradually, matching Doug’s characteristic as a drifter who cuts loose the moment it seems that he’s about to put down roots or commit to a lasting relationship. He intentionally sabotages himself and there’s a degree of irony in the fact that he works so hard to avoid any real work.

The Hereafter Gang was initially classified as a work of science fiction, but in my mind it’s most emphatically a work of literary fiction that flirts with a generous helping of magical realism.

Neal Barrett Jnr. remembers a lot here. Every scene, every paragraph is rich, dense and textured with an iconic vision of a bygone America – or perhaps an America that only exists in the memories of those who grew up during the first half of the twentieth century.

Though The Hereafter Gang begins conventionally enough, Dough’s recollections of his rejuvenating “soil immersion” quickly clue readers in that things are about to get very strange – and they do.

Doug finds his opposite and guide in Sue Jean – the epitome of innocent yet seductive “cookie” who features prominently as an object of fascination. She is the sum of all the women he has ever loved though there is more to her than meets the eye. Don’t let appearances fool you, in other words.

If you’re looking for a novel that gets to the point quickly, then this one might not be for you. But if you’re in search of a tale that’s like a lazy cat stretching in a square of late-summer sunlight, that’s laden with sensory delight, then The Hereafter Gang will be an absolute treat. Barrett’s writing is pure joy for the thrill of creating vivid imagery that speaks on multiple levels that may leave you hankering after key moments in your own childhood.