Nerine Dorman: So, the first time we crossed paths, this was quite a few years back with one of the BlackMilk Productions short films. I don’t even remember which. And it’s just occurred to me that in all of those productions, there’s only been one where we’ve actually seen your face.
Aidan Whytock |
ND: Yet there was Alone – now that I think of it. That one was pretty freaky, and I remember we filmed that in the dead of winter. So, we got to know you quite a while back. What were some of the projects you got started with? It would seem now that embarking on a career in the film industry in South Africa has a lot more potential than it did a decade or two ago.
AW: I was starting out and looking for opportunities to explore and experiment. I was elated when I met you guys and the BlackMilk family. You gave me a wonderful platform to do just that; explore and grow. The SA film industry has definitely grown and there are a lot more studio projects and indie filmmakers. It’s a good time to be in the game.
ND: What have been some of your highlights over the past decade or so?
AW: I’ve died in a lot of interesting ways. Hooked, decapitated, blown up, fallen (in space – oh the irony). Black Sails was a brilliant experience. I worked with some superb actors and directors. It was an honour to be directed into and out of the show by the one and only Alik Sarkharov (Game of Thrones). I’ve recently finished up on Warrior. It’s definitely worth checking out – a wild west martial arts series with a cheek sense of humour.
Aidan in Black Sails |
ND: Warrior is something so special, a definite clash of cultures, and it seems almost impossible to believe that it was filmed in its entirety here in Cape Town. Everything from the styling through to the character arcs is detailed and well thought out. You play Philip Coleman – a somewhat alcoholic lawyer. What were some of your memorable experiences on set? And you didn’t die in this one, for a change ;-)
AW: You’re right – for a change I’m still alive! It was probably some of the most enjoyable work I’ve done, for a few reasons: the cast are all exceptionally talented. On top of that they’re so friendly – they treat the cast and crew as their family. They know they’re in for the long haul so it makes sense to look after each other. But what really made it special was the writing. Jonathan Tropper has created such a layered, subtextual show that it’s hard to not do something vaguely interesting, even though I tried my damnedest to mess it up.
Aidan as Philip Coleman in Warrior |
ND: You’ve also tried your hand at producing feature-length movies – most notably The Actor. And you had quite a wicked time frame in which to film it. The process itself must’ve been quite a learning curve too. Can you tell us a little more about that particular journey?
AW: We set ourselves the challenge of making a feature film on a shoestring budget, and it certainly was that. The Actor was our master class in filmmaking. We worked hard and fast, shot the film in 9 days with just USD3,500 and made something strong enough for a theatrical release. Our big learning: if you want to make a film, nothing is stopping you. Work with great people who like spending time with, find a story you want to tell and make it happen.
ND: And what’s on the cards for you currently?
AW: I’ve just wrapped a post apocalyptic sci-fi in Romania. I’m sworn to secrecy but it’s a novel take on the genre; one in alignment with some topical global challenges. Tonally it echoes some of the genre greats while being its own beast. As soon as the trailer is done I’ll let you know!
Check out Aidan's showreel or visit him over at IMDB.
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