A Fate Inked in Blood (Saga of the Unfated #1) by Danielle L Jensen

I won't lie, a pretty cover catches my eye, and it was the lovely illustration by Portuguese artist Eleonor Piteira that made me read the blurb then request A Fate Inked in Blood by Danielle L Jensen off NetGalley. As some of you already know, I'm a huge fan of Scandinavian-inspired yarns, and there does rather seem to be a rash of them lately. Depending on how much research an author has bothered to do or if they've just watched one too many episode of Vikings or The Last Kingdom, savvy readers can quickly tell. I suspect Jensen falls firmly in the latter category, however.

I'd cast A Fate Inked in Blood firmly in the romantasy genre, so if 'icky girl stuff' isn't your jam, then this is probably not the novel for you. Me, I'm quite happy with the romance, provided it doesn't derail the plot, and Jensen does strike a fair balance between the two that kept those pages turning.

The plot is pretty standard, compared to many that I've seen. We meet Freya, who's married to a fisherman who's got divine blood. He's kinda a celeb in their village, his magic responsible for bringing in good catches. The catch? He's Not A Very Nice Man. Of course, we meet Bjorn very early on, and he is A Very Nice Man. Too bad that when Freya's husband is out of the picture, she has to get married to someone else who isn't Bjorn, but his daddy. Of course, Freya, who's been pretty disenchanted with her initial lot as fishwife, is not particularly charmed with being treated like chattel when all she's ever wanted to be is a renowned shield maiden. Everyone else seems to know what's best for her, however. And she's in a situation where she can't say no.

But there's more. It seems that Freya's pretty special herself, for she, too, has a drop of divine blood about her – the kind that would make her a rather good shield maiden. Also, she's wrapped up in a prophecy, which makes things even more complicated, because now there's a bunch of ambitious men who are making grabby fingers at her.

Anyhow, it's not this review's purpose to retell the entire book. For what it is, this isn't a bad little story, and if you're looking for a bunch of romantic tension, this book has it by the bucketloads. As a reader, I do wish there'd been a bit more attention to detail in terms of world building. I guess if you've watched Vikings, it's going to be easy for you to visualise stuff – but I did feel the environment was a bit white-roomy and could have used a smidge more fleshing out. The story does get off on a strong start, but it starts dithering a little and then rushes to wrap stuff up before ending on a cliffie. What did work for me was the Freya-Bjorn dynamic – they seem well suited to each other, and as characters, complement each other well. If you're hooked by book one, I expect you're in for quite a wild ride with glorious battles, intrigue, and wild magic, all liberally dosed with Norse flavour.

The Sagas of Ragnar Lodbrok by Ben Waggoner

Staying with my dive into the old Northern myths and legends, I gave The Sagas of Ragnar Lodbrok, as translated by Ben Waggoner, a spin as it was included in my Audible subscription. Narrated by Ray Chase, whom I admit I needed a little time to grow accustomed to after my binging on similar content narrated by Jackson Crawford, this proved to be an equally fascinating listen.

Although, if pressed, I'll admit that I struggle with particulars of names and exact events, this was nonetheless an engaging offering that cast light on my ancestors' pre-Christian cultural heritage. And if I'm ever looking for story seeds, there're more than enough here for me to live up to my Viking ancestors doings and pillage to my heart's content. 

Ragnar Lodbrok with his hairy pants and serpent-slaying prowess is certainly a fascinating figure, especially in terms of him portrayed as a trickster and warrior. I've watched most of Vikings on Netflix, which I'd say is only *roughly* based on the doings of this legendary figure. And when I say roughly, I really do mean roughly. Though I can see how the screenwriters' heavy-handed foreshadowing about a snake pit came about. Admittedly, I've stalled on watching the fourth season because, frankly, I've grown bored. The actual source material is far more exciting – or at least how I picture things in my head while I listened. And I admit I have a rather vivid imagination. It takes quite a lot for a show or movie to live up to my expectations. At least while reading or listening to the audiobook, I am free to create my own visuals.

Fatalism, treachery, violence, the inescapability of one's wyrd – these are all recurring themes in any of the old Norse sagas, and The Sagas of Ragnar Lodbrok are no exception. Ragnar is, at the end, a victim of his own hubris, and watching his inevitable downfall as well as the epic doings of his many children is great entertainment. But I've got to wonder about heroes who act in ways that would class them as TSTL* in a modern-day work of fiction. I guess knowing that a tragedy is unfolding is what makes this all worth the journey. Not to mention the occasional pearls of wisdom one uncovers.

*Too stupid to live.

Beyond the North Wind by Christopher McIntosh

This is another one for me shamelessly digging up content narrated by Simon Vance – this time Beyond the North Wind by Christopher McIntosh. Honestly, this book would have been on my radar due to my interest in matters related to the Northern mysteries, and I've had it recommended to me by a few folks whose opinions I trust. Beyond the North Wind is a work of what I'd term as speculative history, examining the existence of a mystical North that predates modern times in much the same way that we often cast our gazes towards the mythical Atlantis by way of Graham Hancock.

While I have precious little love for Hancock, and I'm not the sort to entertain the possibility of an advanced civilisation that predates ancient Egypt or Mesopotamia, I was nevertheless entertained by McIntosh's observations, speculative as they may be. He engages with the Northern mysteries in a way that shows how we, as Westerners, crave a mythical past that is not grounded in a Middle Eastern, Abrahamic religion. 

McIntosh looks at how the interest in the Northern mysteries has resurged in recent years, which in itself is a fascinating topic, especially when one considers the huge growth in Heathenry and associated practices. The topic itself is complex and not without its problematic elements, when we consider how nationalism is often inextricably connected to certain neopagan and Heathen movements. Whether we choose to view this mythical "Hyperborea" – as the Greeks named the "land beyond the North Wind" – as real or merely story we tell ourselves about our complex European cultural history, it's really up to the individual. 

What I appreciated about Beyond the North Wind was McIntosh's engaging, informative writing style, and of course my dearly beloved Simon Vance, whom I appear to be stalking across Audible because I can't get enough of his voice. This is a deeply fascinating audiobook, and I'll most certainly snap up a hard copy of the book should I cross paths with it in the wilds.

Children (The Ten Worlds #1) by Bjørn Larssen

I'm one of those readers who, the moment a book's cover catches her eye, and the content is vaguely aligned with her interests, she'll snap the book up. And I really, really wanted to like Children by Bjørn Larssen. His writing style is strong and unrestrained, and perhaps it's the latter part of this description where things fell a little flat for me. I can liken this novel best to a vine that's been allowed to grow beyond the trellis, so that the structure of the book felt somewhat all over the place.

The story is told from the alternating points of view of the human magic-wielder Maya, exiled from the home of her foster-mother Freya (yes, THE Freya), she's left serving a king whom she doesn't like one bit. For Reasons that are many and varied. Enter Magni, the natural son of the god Thor, who has, ahem, an axe to grind with his father. Because, Reasons. I'm not going to go into the depth and breadth of this sprawling story, but as the Norns will have it, the tricksy, shapeshifting Maya's and soft-hearted Magni's paths do cross, and their individual tales weave fluidly with a retelling of some of the classic Norse myths.

Children is an ambitious read, and for the most Larrsen executes things well. Maya is desperate for freedom, but her desire for this comes at a great cost – one that she's perhaps not quite prepared to pay. Magni's life is anything but easy, and in his naïveté, he jumps from one cringe-worthy situation to another. And perhaps that was one of my main reasons why I wasn't as enamoured with this story as many other readers were – I felt that at times Magni's lack of guile made him fall almost squarely into the TSTL* category. Neither character, in my not-so-humble opinion, did much growing so much suffering one terrible denouement after the other.

The pacing for the novel also felt uneven, to me, at least, and at times confusing. There were moments when the writing became too fast, too unstructured, but then again, YMMV – this is most certainly an ambitious telling, but I'm pretty certain it's also not going to be everyone's cup of tea, as there are scenes of emotional, physical, and substance abuse, in addition to manipulation and oodles of violence. Then again, I wouldn't expect anything less from the Norse pantheon. They can be a tricksy lot who don't particularly care for those they see as being less than them. My thoughts are that this novel could have used a more rigorous structural edit right at the get-go, but on the whole this is still a worthy read. If you're looking for a 'lower-deck' type story featuring minor personages from the old sagas, then this might well be right for you. In this case, I suspect, that the fault for not liking this book as much as others did falls squarely with the reader.

* Too Stupid To Live

The Saga of the Volsungs with the Saga of Ragnar Lothbrok by Jackson Crawford

Recently I gave the Poetic Edda, as translated and narrated by Jackson Crawford a spin, and this time it was his translation of The Saga of the Volsungs with the Saga of Ragnar Lothbrok. As always, Crawford's narration is enchanting, and I'm struck by how easy the story was to follow (for the most). This is a short listen, of about four hours, but it packs in much. The Saga of the Volsungs dates back to the 13th century, and relates the ill-starred legend of Sigurd and Brynhild. As is common in much of the Northern sagas, there is much violence, betrayal, cursed treasure, and players who are incapable of slipping their fates, despite being aware of their inevitable grisly demises. I was keen, also, to listen to Ragnar Lothbrok's tale fully, since I've been watching Vikings on and off, though admit to having stalled on the series. 

Overall, what works for me is Crawford's delivery of the poems – he takes great pains with his research and his pronunciation, which makes hearing this audiobook an absolute treat. 

The Poetic Edda: Stories of the Norse Gods and Heroes translated and narrated by Jackson Crawford

One of my favourite authors, JRR Tolkien, has a heavy debt to pay to the Old Norse Poetic and Prose Edda, which are writings that date back to the 13th century when Christian priests recorded the old poems. Considering that the ancients, for whom these poems were living, breathing cultural objects, had primarily an oral tradition, if these early scholars had not recorded the verses, they'd no doubt be lost in the mists of time. Thanks to their dedication, we have some ideas of the beliefs and culture of our Scandinavian ancestors. The irony of Christians preserving artefacts of Heathenry is not lost on me.

I will admit that The Poetic Edda: Stories of the Norse Gods and Heroes, translated and narrated by Jackson Crawford, is my first serious dip into the source material that has informed so many of my favourite TV series, films, and books. And while Neil Gaiman's Norse Mythology is still lurking in my TBR pile, I'm altogether keen to get to the actual source material before I take up Gaiman's book. When the time comes, it will be interesting to make comparisons.

What I enjoyed about Crawford's writing and narration is that not only does he have a lovely, melodious voice and exquisite pronunciation, but he also offers a little background information about each of the poems before he plunges into the reading that helps to establish context. I'll admit that I was initially somewhat hesitant, fearing that the verses would be dry. How wrong I was. Many of these myths are familiar to me, thanks to the many years that I've been delving into mythology, but with Crawford's telling, the stories came alive as close to the original source material as we can get.

Some of the sayings that were included I reckon are still relevant to this day, which is something indeed. Not that I'm about to go a-viking anytime soon. I'd love to know more Old Norse, because I suspect that not all the imagery and subtleties translate all that well into English, but I feel Crawford still did an excellent job with this work. I'll happily recommend the audiobook to anyone who wants to learn more about the philosophy, culture, and cosmology of the ancient Scandinavians, who in their fatalism (there's A LOT of death, treachery and bloodshed in this book) still managed to live their lives to the fullest. This title was included in my Audible subscription, and was worth every moment.