The Griffin's Flight by KJ Taylor #review

Title: The Griffin’s Flight (The Fallen Moon, Book 2)

Author: KJ Taylor
Publisher: Ace, 2011
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Book two of the series has its ups and downs. I must admit I’m reading this series mainly because I ended up emotionally invested in the main characters, so kudos for KJ Taylor for engaging me in that sense. That being said, The Griffin’s Flight is not a smooth ride. Taylor compresses a fair amount of time in the first half of the novel, which tends to feel as though it drags.

We pick up with Arren on his flight north as he discovers the mysterious woman Skade. Like Arren, there’s more to Skade than meets the eye, which lends an interesting departure from the norm that might squick out some readers. Arren, as always, falls prey to his passions, which leads to all manner of ill fortune, and I can’t help but wonder how things would go if he were more honest. As a character he is infuriating, especially in the sense that he continues to lie to himself—and others. And it is these lies that create more issues than anything else.

Arren is a man at war with others’ perceptions of himself, and the fact that he appears to have found himself as an integral part of an ages-old curse. Much of what annoyed me about him in book one is still in evidence—he is a victim trapped by deeply entrenched prejudices. It’s how he deals with his predicament that I hope will improve by book three.

Erian, who should be the antagonist, becomes far more likeable in book two once we get to know him. Taylor pulls a very typically George RR Martin trick of getting us to relate to a character who *should* be the antagonist, then swinging the story around to show us the very same character from the point of view of *their* opponent. Nice tension building here, and I can see this story is going to head toward an almighty meltdown, as Taylor subverts reader loyalties.

I very much still have that love-hate relationship with KJ Taylor’s writing. There is one issue of a fact that was *very* important that the character knew. So important that I felt it should have been something that would have preyed on his mind from book one, but it only gets a passing mention in book two. I won’t mention what it is, but I howled in frustration when Taylor dropped that bomb. I’m certain this is a plot development that only cropped up in book two. The nature of the fact was such that it is a crux point in a character’s make-up, and to avoid all mention until now is a major WTF moment for me as a reader. My inner editor is crying out for her red pen.

But never mind. I still wanted to know what happened next, and as always Taylor produces a story that does not follow conventional paths. There’s the satisfying sense of anti-hero who’s going to have to fight really hard to escape his wyrd. Whether he succeeds is another matter, and I sense Taylor is an author who isn’t scared of letting her hero fail.

Book three should be interesting. And of course I’m compelled to read the next one in the series. I can’t help myself. For all the rough edges, KJ Taylor tells a mean story.

The Dark Griffin by KJ Taylor #review

Title: The Dark Griffin
Author: KJ Taylor
Publisher: Ace, 2010
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If you, like me, gobbled up Anne McCaffrey’s Pern novels like they were crack, then you’re probably going to enjoy The Dark Griffin. And I really, really enjoyed this story, even though the novel is a bit rough around the edges.

First off, there were definite viewpoint issues. I felt as though the author couldn’t decide whether to run with a third-person omniscient or a deep third. As it stands, the narrative exists in a funny kind of limbo, with authorial voice intruding from time to time to offer readers glimpses into stuff that happens that the characters are not privy to. This is a bit jarring at times.

Hand in hand with this issue was the fact that Taylor could have laid on a bit more layering with regard to boosting characters’ motivations, and would definitely have helped to create more complexity in Arren. Often the main character does stuff and it’s not immediately clear as to *why* he acts. Granted, I was too absorbed in the story so it didn’t completely ruin it for me, but there were moments where I was jerked into editor mode and found myself absently casting about for my red pen.

Then, dialogue. Sometimes it felt as though Taylor was spending too much time conveying exposition using the dialogue as the vehicle, so things sometimes didn’t flow as they should. There were occasions where dialogue could’ve flowed more naturally but as stated earlier, I was too invested in the story to want to hurl the book across the room.

But despite these flaws, storytelling and world-building are Taylor’s strong points. I really enjoyed Mercedes Lackey’s griffins back in the day, so to have a new author invest so much love into creating a setting containing griffins thrilled me. Also the concept, of the main character’s fall from grace due to racial prejudices, really struck a chord with me. And that twist she offers near the end, of almost a “dark knight” rising, that also gave me wriggles of delight.

This is not a work of literary greatness, but it’s a fantastic story with a main character I ached for. Taylor succeeds in telling a powerful tale that had me teary-eyed at times, or sitting with my heart in my throat at others. Her world is bloody and violent, and I love the fact that she’s subverted my loyalties from supposed “good” guys to “bad” guys. And, without giving too much of a hint at a spoiler, if you loved Eric Draven as The Crow, then you’re going to absolutely adore Arren. Yes, this story is a big dramarama, but hell, it’s a rousing read and a perfect escape from Mundania.