The Riven Kingdom (The Godspeaker Trilogy #2) by Karen Miller is part of my catching up of all the fantasy novels I've been meaning to read over the years, and it's one of the titles so far that's led me to believe that Miller is possibly one of the most underrated voices in the genre I've encountered in a while. I tucked into book #1, Empress, a while back, and was a bit concerned that I'd lose the thread, but there was sufficient recap in book #2 that I wasn't at a complete loss; Miller touches on the pertinent bits without going overboard.
The Riven Kingdom introduces us to Princess Rhian, whose father the king is dying. During more enlightened times, she would have been heir to the throne, but unfortunately for her, the island kingdom of Ethrea still favours a male heir. With her two older brothers being deceased, her fate is to marry the man chosen for her to be her king, and to then produce future kings. So, basically, she's a prize brood mare and all the dukes and the church are gasping to place the future king of their choice on the throne. Absolutely lovely. You can well imagine that Rhian is less than pleased by this state of affairs.
Indulged from a young age with an education and some instruction in less gentle pursuits, like fencing, Rhian is not your typical princess, and she's absolutely not going to allow a bunch of stodgy old men tell her who she's going to marry. Add a grasping, power-hungry religious leader to the mix, who seeks to control Rhian after her father's passing, and we're set up for the essential theme that runs through this book – the battle for the separation of church and state.
In fact, the theme of religion runs heavy throughout the trilogy, from the looks of things. In book #1, we meet Hekat, who justifies her grab for power through her faith in a hungry, violent god that demands bloodshed. She is ruthless in her actions, and though not a likeable character by any means, is fascinating to observe how she constantly does mental gymnastics to maintain her power and her stance.
Rhian also has to balance power and religion. She's from a deeply religious nation, and often her behaviour is very much that of an indulged, untried girl who's used to getting her own way. [I realise this might make people hate her as well.] Yet her intentions, compared to Hekat, are that of being a just, fair ruler. Much like Hekat, she has a great conviction that she is meant to rule, and will do what she must to attain her aims.
Not everyone in Ethrea is religious. We compare Marlan, the antagonist – the prolate who wishes to rule through a puppet monarch. He doesn't believe in a god but he will use religion as a way to control people. There is most certainly a strong nod towards the Catholic Church's machinations in this story. On the other hand, we have the formerly agnostic toymaker Dexterity, who gets dragged into the saga rather unwillingly – he has liminal experiences thrust upon him and he is granted god-given power to perform miracles. What he does with his powers is vastly different than what Marlan would.
The character I'm sure most loved to hate was Rhian's chaplain Helfred. At first he comes across as a thoroughly despicable, weak individual whose faith makes him annoying as all hell. Yet his redemption arc from a toadying sycophant to a man of true faith is perhaps the most satisfying.
The way characters deal with power – the gaining thereof and the loss, makes for a fascinating dynamic. We have former warlord Zandakar, reduced to a slave and rescued by Dexterity, whom I suspect will still play a pivotal role in book #3, and there is the way Rhian realises that she literally holds the power of life and death, and how she is then faced with the choice of what sort of ruler she will become.
I realise I've gone on a lot more with this review than I normally do, but that's because this is a book that made me think quite a bit. I will say this much: I didn't like any of the characters, except perhaps for Ursa the healer. Yet there is a lot going on here which makes it a worthy novel to read. There were moments when I felt there was literally a bit too much of a deus ex machina happening, yet I do have to admit that this very issue is central to the plot. Which makes me wonder about the rules applying to deities in this setting (which I'm sure Miller will go into eventually, or at least I hope so).
Miller doesn't shrink from graphic depictions of violence, and her characters (who occasionally verge on twee) are very much painted in shades of grey (which then redeems them), so I have to give her this much – she gives a few unexpected twists and turns but all in all delivers a solid and compelling read that has given me much to consider.
Showing posts with label karen miller. Show all posts
Showing posts with label karen miller. Show all posts
Thursday, September 21, 2017
Thursday, September 4, 2014
Empress by Karen Miller #fantasy #review
Title: Empress (The Godspeaker Trilogy #1)
Author: Karen Miller
Publisher: Hatchette Digital, 2007
I’m going to start by saying that this book is not for everyone, especially judging by the reviews that it has already received. Many hated it enough to spew some truly vituperative opinions. Plainly put, there are a number of reasons why readers would put the hate on.
First reason: Hekat. She starts out as the unwanted, unloved spawn of a goatherd in a village where women are little better than livestock themselves. In fact, Hekat has no name until she is sold to slavers. Hekat can be forgiven, in that regard, for not knowing love. But as for blind ambition and religious fervour, she has that in abundance. Her survival instinct is strong and she isn’t afraid of using every opportunity to better herself. I have to hand it to Karen Miller. Hekat could not have been an easy character to write because she has few, if any redeeming qualities. Even the love she feels for one of her sons smatters of obsession.
I often wondered how many of Hekat’s actions were taken out of her ability to lie to herself about what she *thought* the god of Mijak wanted instead of that which was truly just. Hekat murders to get what she wants, which is to stand as supreme ruler of a united nation. On one hand, her meteoric rise to power is fascinating to watch, and in that sense she is engaging. The fact that she won’t allow her lowly origins or gender to stand in her way is commendable, even if her methods are distasteful. She is so convinced – utterly so – of her right to power, that she won’t let anything or anyone stand in her way.
Vortka was taken as a slave at the same time that Hekat was, and was chosen to serve the god. Though the religion of Mijak is cruel and bloodthirsty, requiring much sacrifice, Vortka however sees another aspect of the god – that of love and mercy. In that, he stands as Hekat’s opposite in many things, and tempers many of her harsher judgments, though he himself is powerless to stop her from making her more rash decisions. He is nonetheless complicit to her wrongdoings, blinded by his adoration of her.
Other characters also find themselves hampered by their love or hate of Hekat. Her sons, the priest Nagarak, and all to a degree are but a means to an end for her. There really is little to like about her, even if she possesses the vision to unite a nation of warring factions.
At the heart of this novel, and perhaps the reason why I feel it is so good, is the depiction of religion in the hands of people, and how they are able to transform it into a tool for good and for evil. Human interpretation of divine will is depicted in its subjectivity, making the readers aware of this danger when people allow their personal whims free rein – especially catastrophic when these same people are in positions of power.
And Hekat does become drunk on her power.
Other aspects to mention include the setting, which evokes the exotic – somewhat a blend of the Middle East with Asian Huns. If you liked the way GRRM wrote about the Dothraki, then the nation of Mijak will hit the spot.
Readers who are disturbed by graphic depictions of violence and animal cruelty had best avoid this novel. What I appreciated about Empress was the setting and the subject matter – vastly different from stock standard fantasy. This sort of culture shock might not be for everyone. In this regard Empress is a challenging but rewarding read, and I am looking forward to the novels that follow.
Author: Karen Miller
Publisher: Hatchette Digital, 2007
I’m going to start by saying that this book is not for everyone, especially judging by the reviews that it has already received. Many hated it enough to spew some truly vituperative opinions. Plainly put, there are a number of reasons why readers would put the hate on.
First reason: Hekat. She starts out as the unwanted, unloved spawn of a goatherd in a village where women are little better than livestock themselves. In fact, Hekat has no name until she is sold to slavers. Hekat can be forgiven, in that regard, for not knowing love. But as for blind ambition and religious fervour, she has that in abundance. Her survival instinct is strong and she isn’t afraid of using every opportunity to better herself. I have to hand it to Karen Miller. Hekat could not have been an easy character to write because she has few, if any redeeming qualities. Even the love she feels for one of her sons smatters of obsession.
I often wondered how many of Hekat’s actions were taken out of her ability to lie to herself about what she *thought* the god of Mijak wanted instead of that which was truly just. Hekat murders to get what she wants, which is to stand as supreme ruler of a united nation. On one hand, her meteoric rise to power is fascinating to watch, and in that sense she is engaging. The fact that she won’t allow her lowly origins or gender to stand in her way is commendable, even if her methods are distasteful. She is so convinced – utterly so – of her right to power, that she won’t let anything or anyone stand in her way.
Vortka was taken as a slave at the same time that Hekat was, and was chosen to serve the god. Though the religion of Mijak is cruel and bloodthirsty, requiring much sacrifice, Vortka however sees another aspect of the god – that of love and mercy. In that, he stands as Hekat’s opposite in many things, and tempers many of her harsher judgments, though he himself is powerless to stop her from making her more rash decisions. He is nonetheless complicit to her wrongdoings, blinded by his adoration of her.
Other characters also find themselves hampered by their love or hate of Hekat. Her sons, the priest Nagarak, and all to a degree are but a means to an end for her. There really is little to like about her, even if she possesses the vision to unite a nation of warring factions.
At the heart of this novel, and perhaps the reason why I feel it is so good, is the depiction of religion in the hands of people, and how they are able to transform it into a tool for good and for evil. Human interpretation of divine will is depicted in its subjectivity, making the readers aware of this danger when people allow their personal whims free rein – especially catastrophic when these same people are in positions of power.
And Hekat does become drunk on her power.
Other aspects to mention include the setting, which evokes the exotic – somewhat a blend of the Middle East with Asian Huns. If you liked the way GRRM wrote about the Dothraki, then the nation of Mijak will hit the spot.
Readers who are disturbed by graphic depictions of violence and animal cruelty had best avoid this novel. What I appreciated about Empress was the setting and the subject matter – vastly different from stock standard fantasy. This sort of culture shock might not be for everyone. In this regard Empress is a challenging but rewarding read, and I am looking forward to the novels that follow.
Subscribe to:
Posts (Atom)

