Blood, the Phoenix and a Rose: An Alchymical Triptych by Storm Constantine is, as the name suggests, a collection of three loosely interwoven stories that are set in her Wraeththu mythos. And yes, there is an alchemical theme. For those who're not in the know, this setting is one of her enduring (and endearing) worlds that offer us the tales of the Wraeththu – androgynous beings who are mankind's heirs after humanity is pretty much wiped out by its own efforts. In this setting, fantasy and science fiction blend to offer us an alternate future, where those who would name themselves hara have a second chance to do better.
"The Song of the Cannibals" begins at the mansion of Sallow Gandaloi, where the arrival of a stranger upsets the careful balance of the household. One of the hallmarks of Storm's writing is her love of architecture and how those who reside within the walls interact. This is a story about a har who hides a heart of darkness within, and those hara who do not tread carefully around he who is known as Gavensel.
"Half Sick of Shadows" continues with Gavensel's attempts to delve into his mysterious past, but this time it's told from his point of view as he strives to peel pack the shroud. He is mired in darkness, which is a danger to those who don't handle him with care.
"A Pyramid of Lions" provides us with a window into the world of Vashti, a har who grew up on the breeding farms of the infamous Varr tribe familiar to those who've read the primary books in the mythos. He is pragmatic in approach, and while at first it's not entirely clear how far his story tangles with Gavensel's, this will become clearer later.
I can't truly look at the stories as separate entities, and I'm going to be straight here – if you've not already read the other books in the series, it's probably best to wait with this one until you've done so, as there is a lot of backstory that is referenced that will make no sense to you otherwise.
To those, who like me are lore junkies, this triptych will fill in a lot of blanks, and especially offer insights into the world of the Varr tribe under the rule of Ponclast. The revelations are uncomfortable and deeply frightening as well, because they show how close the Wraeththu as a whole came to falling into darkness, stagnation and destruction as the human race.
Showing posts with label immanion press. Show all posts
Showing posts with label immanion press. Show all posts
Monday, May 8, 2017
Monday, January 25, 2016
Ten of the Best – Top Reads for 2015
I’m a bit late with my “best of” reading list for 2015, but hey, it’s better late than never. Sadly I don’t get as much time to read as I used to before I went freelance, but then some things can’t be helped. What you’ll get here is a mix of books that are both old and new, because I’m a firm believer that we *do* need talk about older titles. So, here, in alphabetical order, are my top ten reads for the year, accompanied by extracts from my reviews, many of which appeared in the Pretoria News and on my blog.
Allegiance by Beth Bernobich hit all the marks for me with a well-defined, diverse cast. This the third of her River of Souls fantasy trilogy filled with intrigue, magic and adventure. More than that I won't say. Ilse and Raul are most certainly unforgettable, and if you're looking for a richly textured, gradually unfolding saga, then this is the sort of tale that harks back to the classics.
Not only am I drawn to her writing because of her solid worldbuilding, but also because she has created a society where there is less division between the roles played by men and women, and also a fluidity of sexuality. Women are soldiers, they can take on positions of power, and it doesn’t matter who you love. What else I adored was the fact that Bernobich breaks away from the Eurocentricism still prevalent in contemporary fantasy, to gift us with a saga that is distinctly Eastern in flavour without being heavy handed. – an extract from my review.
Beastkeeper by Cat Hellisen is another story that gave me the shivers. Cat has been one of my guiding lights and her writing is lush, nuanced and immersive. In Beastkeeper she retells "Beauty and the Beast", but from the point of Sarah, a lonely child whose parents have separated. She is sent to live with her remote grandmother, and discovers that her family harbours many secrets.
As always, Hellisen seems to effortlessly touch on the universality of fairy tales to delve even deeper and bring up underlying themes. One one level, this is a children’s quest to break a curse. On another, it’s a parable of how twisted love has soured to hate and indifference, and how one young person can find it in herself to step outside the trap of a destructive cycle. This is a dark, painful and elegant tale, made all the more beautiful, because Hellisen weaves with mystery and doesn’t hand over all the answers on a plate.
Blood Song by Anthony Ryan is book one of his Raven's Shadow trilogy, and has been one of my new discoveries in fantasy, and I've been gushing like a complete fangrrrl to anyone who's been within earshot. Anthony is an example of where self-publishing can lead to greater things, and this is coming-of-age story turns into a military fantasy that rubs shoulders with a fair amount of adventure and derring-do.
Ryan is relentless in what he has his characters endure, and the results are hardly convenient or tidy (as one can expect in an authentic setting). Expect bloodshed, violence and much death. Vaelin is a complex character whose actions aren’t always kind, but he is consistent in his logic, and I couldn’t help but admire him, even if I did not always agree with his decisions.
Dragon Age: The World of Thedas Volume 1 by David Gaider, Ben Gelinas, Mike Laidlaw and Dave Marshall (editor) was oh so worth the effort of giving my money to BioWare (as I seem to be wont to do of late). I'm a huge fan of the game, not only because it's what I term as a fantasy RPG for Generation X, but because hells, the lore. So. Much. Lore. I'm a lore junkie. Also, this is just a really, really pretty book. And I'm unashamedly a fangrrrl.
I've yet to write a full review, but if you're a collector of stuff to fulfil your inner geekness, this lovely hardcover book is what you need. The illustrations are beautiful and many of those little snippets of tomes and manuscripts that you encounter in-game are replicated here, along with other fascinating bits about the different nations, their people and its history.
Radiance by Grace Draven was one of those rare situations where Amazon made a recommendation that actually hit the mark – she's pegged as being somewhere along the lines of Jacqueline Carey and Storm Constantine (which is the equivalent of catnip for me). This is dark fantasy with a romantic spin, where we have a day/night type relationship. Two young people, Brishen (of the Kai people) and Ildiko (human) have an arranged marriage to solidify the political relations between their people. They weren't supposed to fall in love too... But they did. I eagerly await book two of the Wraith Kings.
This book is sweet, but it’s not without its claws. The non-human race portrayed in this book (the Kai) are not cuddly, and their actions are quite bloody at times. They also make a lovely shift from vampires, elves or angels (I’d peg them as somewhat toothy, predatorial elves that don’t like going out during the day.) The human Ildiko may be soft and gentle on the outside but she has nerves of steel, and adapts quickly to her new people. By the end of the book, she’s a force to be reckoned with – while retaining her feminine qualities.
Sirkus Boere by Sonja Loots is one of two Afrikaans books I read during 2015. Yes, I know I'm terrible that I hardly if ever read anything written in my mother tongue but then again, there's a dearth of fantasy fiction in Afrikaans. Sirkus Boere was set reading for my varsity module, but I enjoyed it anyway because Sonja's writing is oh so clever and the topic (the Anglo-Boer War) fascinates me.
There are plenty of subtexts here. Mainly we deal with four main characters who're each trying to deal with the trauma of what they've lost during the war. Three of them get dragged off to be performers in a spectacle arranged by a circus showman. There's plenty of discussion about racism, colonialism, and how one overcomes the past. Do you embrace it? Walk away from it? Allow it to eat you up and paralyse you? What stories do you tell about your past?
The Children of Húrin by JRR Tolkien is one of those must-reads that has been languishing on my TBR pile for too long – until 2015, that is. In his usual fine, style, Tolkien takes the template for an ancient European myth and recasts it within Middle-earth. I am completely unashamedly a huge Tolkien fan. I am also aware that his writing is not perfect. But he's been part of my journey as reader and author since I was first able to read. Allow me this indulgence.
PS, if you’re emotionally correct and easily upset by bad stuff that happens to good people, go read about unicorns pooping rainbows. This book will make you very, very angry and you’ll probably ask for it to be banned from your library.
The Diving by Helen Walne is another of those books that doesn't full within my usual purview, but because it's my policy to read outside of my chosen genres from time to time, and because this one really hit me in all the feels, it deserves its spot here. I've been somewhat of a huge Helen Walne fan for years, and really enjoy her weekly columns in the Cape Argus. I also had fangrrrl moments whenever I bumped into her in the corridors of Independent Newspapers while I was still employed there. I mean, really – I had to stop myself from tripping over my tongue and telling her in a rush of words how fabulous I think she is.
Helen’s observations are poignant and heartfelt – and she evokes her environment and the people who populate it with great vividness. In places, her signature humour is evident, tempered by her sorrow but redolent with incredible depth of feeling. This is not an easy book to read, because you know from the start what you’re in for, but as a personal account of those struggling in the aftermath of a suicide, it is rich in love despite the pain. And yes, the all-important letting go.
The Goblin Emperor by Katherine Addison is a standalone fantasy (which is good news for those of you who're positively exhausted by all the trilogies and series out there). When a friend whose opinion I respect and whose good taste in literature I trust implicitly told me in no uncertain terms that I would enjoy this book, I went and bought it. I wasn't disappointed. Yes, it's a slow-moving courtly intrigue kinda tale, but I loved Maia's wide-eyed horror as he learns how to become an emperor immensely. Oh, yes, and elves and goblins. That is all.
This is not a fast-moving novel by any measure. Katherine Addison’s prose is detailed and textured, and at times the array of names for people and places is bewildering (and possibly intentionally so, to create a sense of disorientation that Maia might feel at his situation). Yet the story is compelling, down to the last chapter, to be savoured for the rich world building and the slow weave of power play. The Goblin Emperor’s awarding of the 2015 Locus Award for “Best Fantasy Novel” is well deserved.
Whispers of the World that Was by ES Wynn is a Wraeththu Mythos novel. Fans of dark fantasy and who've had their brush with Storm Constantine's worlds will not be disappointed. ES Wynn is a gifted author whose style reminds me a lot of Steve-and-Ghost era Poppy Z Brite. Oh, and don't read this book while you're hungry either.
While those who’ve read the Chronicles and Histories will certainly get some of the more obscure canon references in Whispers of the World that Was, this knowledge is not a prerequisite, primarily because Tyse himself is largely ignorant of what it entails to be Wraeththu. All in all, this is a satisfying read, and a worthy addition to an established fantasy mythos that deviates from standard visions involving dragons, mages and elves.
While I welcome queries from authors and publishers seeking reviews (and I take pride in the fact that I will accept requests from self-published authors and small presses) my reading time at present is severely curtailed due to me having gone full time as a freelance designer and editor. I currently have a huge backlog and will therefore be incredibly picky about which books I accept. Please *do* read my review policy. Potential editing clients are also welcome to email me at nerinedorman@gmail.com – I am happy to provide a five-page sample, and offer a range of services, including proofing, manuscript assessment and developmental edits.
Allegiance by Beth Bernobich hit all the marks for me with a well-defined, diverse cast. This the third of her River of Souls fantasy trilogy filled with intrigue, magic and adventure. More than that I won't say. Ilse and Raul are most certainly unforgettable, and if you're looking for a richly textured, gradually unfolding saga, then this is the sort of tale that harks back to the classics.
Not only am I drawn to her writing because of her solid worldbuilding, but also because she has created a society where there is less division between the roles played by men and women, and also a fluidity of sexuality. Women are soldiers, they can take on positions of power, and it doesn’t matter who you love. What else I adored was the fact that Bernobich breaks away from the Eurocentricism still prevalent in contemporary fantasy, to gift us with a saga that is distinctly Eastern in flavour without being heavy handed. – an extract from my review.
Beastkeeper by Cat Hellisen is another story that gave me the shivers. Cat has been one of my guiding lights and her writing is lush, nuanced and immersive. In Beastkeeper she retells "Beauty and the Beast", but from the point of Sarah, a lonely child whose parents have separated. She is sent to live with her remote grandmother, and discovers that her family harbours many secrets.
As always, Hellisen seems to effortlessly touch on the universality of fairy tales to delve even deeper and bring up underlying themes. One one level, this is a children’s quest to break a curse. On another, it’s a parable of how twisted love has soured to hate and indifference, and how one young person can find it in herself to step outside the trap of a destructive cycle. This is a dark, painful and elegant tale, made all the more beautiful, because Hellisen weaves with mystery and doesn’t hand over all the answers on a plate.
Blood Song by Anthony Ryan is book one of his Raven's Shadow trilogy, and has been one of my new discoveries in fantasy, and I've been gushing like a complete fangrrrl to anyone who's been within earshot. Anthony is an example of where self-publishing can lead to greater things, and this is coming-of-age story turns into a military fantasy that rubs shoulders with a fair amount of adventure and derring-do.Ryan is relentless in what he has his characters endure, and the results are hardly convenient or tidy (as one can expect in an authentic setting). Expect bloodshed, violence and much death. Vaelin is a complex character whose actions aren’t always kind, but he is consistent in his logic, and I couldn’t help but admire him, even if I did not always agree with his decisions.
Dragon Age: The World of Thedas Volume 1 by David Gaider, Ben Gelinas, Mike Laidlaw and Dave Marshall (editor) was oh so worth the effort of giving my money to BioWare (as I seem to be wont to do of late). I'm a huge fan of the game, not only because it's what I term as a fantasy RPG for Generation X, but because hells, the lore. So. Much. Lore. I'm a lore junkie. Also, this is just a really, really pretty book. And I'm unashamedly a fangrrrl.
I've yet to write a full review, but if you're a collector of stuff to fulfil your inner geekness, this lovely hardcover book is what you need. The illustrations are beautiful and many of those little snippets of tomes and manuscripts that you encounter in-game are replicated here, along with other fascinating bits about the different nations, their people and its history.
Radiance by Grace Draven was one of those rare situations where Amazon made a recommendation that actually hit the mark – she's pegged as being somewhere along the lines of Jacqueline Carey and Storm Constantine (which is the equivalent of catnip for me). This is dark fantasy with a romantic spin, where we have a day/night type relationship. Two young people, Brishen (of the Kai people) and Ildiko (human) have an arranged marriage to solidify the political relations between their people. They weren't supposed to fall in love too... But they did. I eagerly await book two of the Wraith Kings.
This book is sweet, but it’s not without its claws. The non-human race portrayed in this book (the Kai) are not cuddly, and their actions are quite bloody at times. They also make a lovely shift from vampires, elves or angels (I’d peg them as somewhat toothy, predatorial elves that don’t like going out during the day.) The human Ildiko may be soft and gentle on the outside but she has nerves of steel, and adapts quickly to her new people. By the end of the book, she’s a force to be reckoned with – while retaining her feminine qualities.
Sirkus Boere by Sonja Loots is one of two Afrikaans books I read during 2015. Yes, I know I'm terrible that I hardly if ever read anything written in my mother tongue but then again, there's a dearth of fantasy fiction in Afrikaans. Sirkus Boere was set reading for my varsity module, but I enjoyed it anyway because Sonja's writing is oh so clever and the topic (the Anglo-Boer War) fascinates me.
There are plenty of subtexts here. Mainly we deal with four main characters who're each trying to deal with the trauma of what they've lost during the war. Three of them get dragged off to be performers in a spectacle arranged by a circus showman. There's plenty of discussion about racism, colonialism, and how one overcomes the past. Do you embrace it? Walk away from it? Allow it to eat you up and paralyse you? What stories do you tell about your past?
The Children of Húrin by JRR Tolkien is one of those must-reads that has been languishing on my TBR pile for too long – until 2015, that is. In his usual fine, style, Tolkien takes the template for an ancient European myth and recasts it within Middle-earth. I am completely unashamedly a huge Tolkien fan. I am also aware that his writing is not perfect. But he's been part of my journey as reader and author since I was first able to read. Allow me this indulgence.
PS, if you’re emotionally correct and easily upset by bad stuff that happens to good people, go read about unicorns pooping rainbows. This book will make you very, very angry and you’ll probably ask for it to be banned from your library.
The Diving by Helen Walne is another of those books that doesn't full within my usual purview, but because it's my policy to read outside of my chosen genres from time to time, and because this one really hit me in all the feels, it deserves its spot here. I've been somewhat of a huge Helen Walne fan for years, and really enjoy her weekly columns in the Cape Argus. I also had fangrrrl moments whenever I bumped into her in the corridors of Independent Newspapers while I was still employed there. I mean, really – I had to stop myself from tripping over my tongue and telling her in a rush of words how fabulous I think she is.
Helen’s observations are poignant and heartfelt – and she evokes her environment and the people who populate it with great vividness. In places, her signature humour is evident, tempered by her sorrow but redolent with incredible depth of feeling. This is not an easy book to read, because you know from the start what you’re in for, but as a personal account of those struggling in the aftermath of a suicide, it is rich in love despite the pain. And yes, the all-important letting go.
The Goblin Emperor by Katherine Addison is a standalone fantasy (which is good news for those of you who're positively exhausted by all the trilogies and series out there). When a friend whose opinion I respect and whose good taste in literature I trust implicitly told me in no uncertain terms that I would enjoy this book, I went and bought it. I wasn't disappointed. Yes, it's a slow-moving courtly intrigue kinda tale, but I loved Maia's wide-eyed horror as he learns how to become an emperor immensely. Oh, yes, and elves and goblins. That is all.
This is not a fast-moving novel by any measure. Katherine Addison’s prose is detailed and textured, and at times the array of names for people and places is bewildering (and possibly intentionally so, to create a sense of disorientation that Maia might feel at his situation). Yet the story is compelling, down to the last chapter, to be savoured for the rich world building and the slow weave of power play. The Goblin Emperor’s awarding of the 2015 Locus Award for “Best Fantasy Novel” is well deserved.
Whispers of the World that Was by ES Wynn is a Wraeththu Mythos novel. Fans of dark fantasy and who've had their brush with Storm Constantine's worlds will not be disappointed. ES Wynn is a gifted author whose style reminds me a lot of Steve-and-Ghost era Poppy Z Brite. Oh, and don't read this book while you're hungry either.
While those who’ve read the Chronicles and Histories will certainly get some of the more obscure canon references in Whispers of the World that Was, this knowledge is not a prerequisite, primarily because Tyse himself is largely ignorant of what it entails to be Wraeththu. All in all, this is a satisfying read, and a worthy addition to an established fantasy mythos that deviates from standard visions involving dragons, mages and elves.
While I welcome queries from authors and publishers seeking reviews (and I take pride in the fact that I will accept requests from self-published authors and small presses) my reading time at present is severely curtailed due to me having gone full time as a freelance designer and editor. I currently have a huge backlog and will therefore be incredibly picky about which books I accept. Please *do* read my review policy. Potential editing clients are also welcome to email me at nerinedorman@gmail.com – I am happy to provide a five-page sample, and offer a range of services, including proofing, manuscript assessment and developmental edits.
Thursday, September 24, 2015
Whispers of the World that Was by ES Wynn (Storm Constantine's Wraeththu Mythos) #review #fantasy
Title: Whispers of the World that Was (Storm Constantine’s Wraeththu Mythos)
Author: ES Wynn
Publisher: Immanion Press, 2015
Those who’re into the gothic beauty of Storm Constantine’s creations may well recall the world of the Wraeththu with great fondness. Constantine was initially responsible for two trilogies, The Wraeththu Chronicles and The Wraeththu Histories, which were pretty much required reading among lovers of dark fantasy. Subsequently Constantine has gone on to release other titles in the same setting, but has also breathed new life into her mythos by opening it to select authors, of which ES Wynn is one.
In my mind, the Wraeththu fall somewhere between vampire and angel – beings that inherited the Earth in Constantine’s post-apocalyptic, post-technological vision. Neither male nor female, the Wraeththu express qualities of both in addition to possessing the ability to shape reality magically. Naturally, a world in upheaval provides prime fodder for storytelling, as characters transition from the old to the new.
ES Wynn has more than done justice to the setting by telling the tale of Tyse who, when we meet him, works as a salvager aboard a vessel crewed by other Wraeththu. They sift through the debris of humanity for any useful items, which they then trade for their necessities. Things take a turn for the worse, however, when Tyse salvages a meteorite that has unusual properties. His discovery brings down the unwanted attention of a mysterious foe hellbent on destroying Wraeththu culture before it has had a chance to pick itself up out of the ashes of humankind.
Wynn’s writing is lush and detailed, and he effortlessly evokes a post-apocalyptic setting so vividly, that it’s possible to taste the dogwood berry wine, so to speak. If I dare to compare his style to another’s, I think back to the sensual textures I encountered in vintage Poppy Z Brite, and leave it at that. Readers with particular tastes will understand. Ghost and Steve. Um, Hello.
While those who’ve read the Chronicles and Histories will certainly get some of the more obscure canon references in Whispers of the World that Was, this knowledge is not a prerequisite, primarily because Tyse himself is largely ignorant of what it entails to be Wraeththu. All in all, this is a satisfying read, and a worthy addition to an established fantasy mythos that deviates from standard visions involving dragons, mages and elves.
Author: ES Wynn
Publisher: Immanion Press, 2015
Those who’re into the gothic beauty of Storm Constantine’s creations may well recall the world of the Wraeththu with great fondness. Constantine was initially responsible for two trilogies, The Wraeththu Chronicles and The Wraeththu Histories, which were pretty much required reading among lovers of dark fantasy. Subsequently Constantine has gone on to release other titles in the same setting, but has also breathed new life into her mythos by opening it to select authors, of which ES Wynn is one.
In my mind, the Wraeththu fall somewhere between vampire and angel – beings that inherited the Earth in Constantine’s post-apocalyptic, post-technological vision. Neither male nor female, the Wraeththu express qualities of both in addition to possessing the ability to shape reality magically. Naturally, a world in upheaval provides prime fodder for storytelling, as characters transition from the old to the new.
ES Wynn has more than done justice to the setting by telling the tale of Tyse who, when we meet him, works as a salvager aboard a vessel crewed by other Wraeththu. They sift through the debris of humanity for any useful items, which they then trade for their necessities. Things take a turn for the worse, however, when Tyse salvages a meteorite that has unusual properties. His discovery brings down the unwanted attention of a mysterious foe hellbent on destroying Wraeththu culture before it has had a chance to pick itself up out of the ashes of humankind.
Wynn’s writing is lush and detailed, and he effortlessly evokes a post-apocalyptic setting so vividly, that it’s possible to taste the dogwood berry wine, so to speak. If I dare to compare his style to another’s, I think back to the sensual textures I encountered in vintage Poppy Z Brite, and leave it at that. Readers with particular tastes will understand. Ghost and Steve. Um, Hello.
While those who’ve read the Chronicles and Histories will certainly get some of the more obscure canon references in Whispers of the World that Was, this knowledge is not a prerequisite, primarily because Tyse himself is largely ignorant of what it entails to be Wraeththu. All in all, this is a satisfying read, and a worthy addition to an established fantasy mythos that deviates from standard visions involving dragons, mages and elves.
Labels:
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Tuesday, March 24, 2015
Wraiths of Will and Pleasure (Wraeththu Histories #1)
Title: The Wraiths of Will and Pleasure (The Wraeththu Histories #1)
Author: Storm Constantine
Publisher: Immanion Press, 2012
I am possibly the worst Storm Constantine fan ever, because I have to admit that I’m yet to read all her books (at time of writing).This is mostly due to the fact that it’s only during the past few years (thanks to the advent of digital publishing) that it has become easy to lay hands on her work all the way out here in South Africa. But I admit my consumption of the Wraeththu Mythos books has been gradual; not only do I not want to rush to get to the end, but I also wish to revisit some of the other authors who had such a massive impact on me during my formative years.
Anyhoo, The Wraiths of Will and Pleasure is the first of the second trilogy, and it is exactly as the name suggests – a somewhat historical account of all the events that occurred behind the scenes in the first trilogy. Also, the biggest difference is that Storm abandons her expected first-person account in exchange for a third-person viewpoint that occasionally flirts with third-person omniscient. Under normal circumstances omniscient storytelling annoys the everloving crap out of me, but Storm is happily one of the few authors I’ve encountered who understands how to employ this narrative style well.
If you’re yet to encounter any of Storm’s Wraeththu stories, do yourself a favour and read in chronological order. The Wraiths of Will and Pleasure is jam-packed to the gills with spoilers.
However, if you wondered about certain key secondary characters, like Seel, Ulaume, Flick, and a number of others who make brief but enigmatic appearances in the first trilogy, you’ll have so much backstory that explains just about everything. Granted, the storytelling is condensed, and Storm does engage in a fair amount of narrative summary, and so long as you keep in mind that this book is intended to fill in the gaps behind the scenes that took place around about the time of Pell and Cal’s catastrophic separation, Orien’s fate and Cal’s eventual arrival in Roselane, you’ll be good.
For me, this book is a veritable goldmine, since I write for the expanded Wraeththu Mythos – so these chunks of history are vital knowledge for me, even if this is more a collection of key individual experiences fleshing out what is in actuality an extended travelogue. And, if you wanted to know more about the Kamagrian, you’re in the right place.
But hush now… I’ve said enough already...
Author: Storm Constantine
Publisher: Immanion Press, 2012
I am possibly the worst Storm Constantine fan ever, because I have to admit that I’m yet to read all her books (at time of writing).This is mostly due to the fact that it’s only during the past few years (thanks to the advent of digital publishing) that it has become easy to lay hands on her work all the way out here in South Africa. But I admit my consumption of the Wraeththu Mythos books has been gradual; not only do I not want to rush to get to the end, but I also wish to revisit some of the other authors who had such a massive impact on me during my formative years.
Anyhoo, The Wraiths of Will and Pleasure is the first of the second trilogy, and it is exactly as the name suggests – a somewhat historical account of all the events that occurred behind the scenes in the first trilogy. Also, the biggest difference is that Storm abandons her expected first-person account in exchange for a third-person viewpoint that occasionally flirts with third-person omniscient. Under normal circumstances omniscient storytelling annoys the everloving crap out of me, but Storm is happily one of the few authors I’ve encountered who understands how to employ this narrative style well.
If you’re yet to encounter any of Storm’s Wraeththu stories, do yourself a favour and read in chronological order. The Wraiths of Will and Pleasure is jam-packed to the gills with spoilers.
However, if you wondered about certain key secondary characters, like Seel, Ulaume, Flick, and a number of others who make brief but enigmatic appearances in the first trilogy, you’ll have so much backstory that explains just about everything. Granted, the storytelling is condensed, and Storm does engage in a fair amount of narrative summary, and so long as you keep in mind that this book is intended to fill in the gaps behind the scenes that took place around about the time of Pell and Cal’s catastrophic separation, Orien’s fate and Cal’s eventual arrival in Roselane, you’ll be good.
For me, this book is a veritable goldmine, since I write for the expanded Wraeththu Mythos – so these chunks of history are vital knowledge for me, even if this is more a collection of key individual experiences fleshing out what is in actuality an extended travelogue. And, if you wanted to know more about the Kamagrian, you’re in the right place.
But hush now… I’ve said enough already...
Wednesday, June 18, 2014
Siren Song - a Para Kindred #flash
This is instalment that's part of the Immanion Press blog hop, a short piece that's a prequel to my story, The River Flows, which appears in the Para Kindred anthology. See the Immanion Press Facebook page for more details. Also, I'll post my secret question below, so if you visit the Facebook page, you'll see details about a prize to be won (valid for June 2014).
SIREN SONG
I followed Zenith south. It seemed the best thing to do after we barely survived the bomb blast in Rotterdam that took so many of our friends.
“Europe’s gone for shit,” he told me. “We must make like rats.”
Zenith was nothing like a rat. Tall and whiplash thin, he had skin like burnt sugar and large, expressive eyes – brown, like a doe’s – but there was nothing soft about his nature.
The voyage was beyond awful, and we scuttled about the ship’s hold, eluding capture. Zenith turned it into something of a game. All I wanted was to feel sold ground beneath my feet again, and to put distance between ourselves and the humans, whose stink contaminated the vessel.
Perhaps it was the combination of seasickness and what bad food we stole, but my dreams were troubled. A siren voice tugged at the edges of my awareness, and gave me no rest, so that I tossed and muttered when I was sleeping. Calling me south.
When I told Zenith about this, and that I feared that our quest was ill starred, and that perhaps we should disembark before we made port at the Cape of Storms, he only laughed at me.
“I should call you Ulysses and tie you to the mast,” he said.
“Who’s Ulysses?” I asked, puzzled.
“Never you mind,” he told me.
The cargo ship docked in the early hours of the morning, and all I could make out of the city was the dark bulk of a flat-topped mountain with a scattering of lights like lost stars at its feet.
We slipped between the dockworkers unloading crates and had one bad moment when four off-duty workers tailed us as we departed from the quay.
“Hey, pretty boys with the long hair. Are you girlies?”
“Moffies!” another brayed.
Zenith kept his arm around me as we hurried from these rough men.
“I don’t see how this place is better,” I muttered.
“Hush now.” He kissed my cheek. “You’ll see. There are no others here who call themselves Wraeththu. Things will be better.”
Zenith found us lodgings in the garret above a tavern that did double duty as a whorehouse. At night, when he was working in a nearby bar, I lay awake listening to the shrieks of laughter, murmurs of lovemaking, and, occasionally, stifled sobs.
I meant to find work, but the teeming streets frightened me. Besides, the few times I did explore on my own made Zenith anxious. He filled my head with awful tales of outside.
I confined myself to our room, and lost myself in silent contemplation. My only visitors were the pigeons with their beady yellow eyes and metallic-sheened plumage. I never tired of watching them strut and preen, and I flew with them when they stretched their wings and glided between the sullen buildings.
“Be patient,” Zenith told me. “I am saving money so we can rent rooms in a better part of town.”
“How much do you have now?” I asked, suspicious of how long it was taking him to find enough for a deposit.
“All I ask is that you trust me.”
Aruna was my sanctuary, when I allowed myself the abandon of our inner landscapes of starburst passions, and vortexes of power that dragged me into constellations of euphoria. I spread my wings wide and soared to the sun, Zenith my shadow, twined with my soul and consuming me with his hungry flames.
Afterward we’d cling to each other, and my entire existence contracted to the contours of his lips and the small scar on his left brow.
“What are you humming?” he asked me.
I hadn’t even known I had a song until I stopped.
“It makes me sad,” Zenith said.
“Why?”
He wouldn’t say. Instead he brought his mouth down on mine and his breath tasted of sunshine and autumn leaves.
Five weeks in that miserable garret and every time I asked Zenith how much longer, he told me to be patient. All the while the song at the boundary of my dreams grew more insistent. One night I woke with my legs hanging over the edge of the sill. The cobbles gleamed wetly beneath the light of the moon, suspended above. Vertigo almost tilted me over and I pulled back inside, my heart racing.
The melody shivered at the limits of my perception, more felt than heard, and when I pulled down the sash window, a stranger’s face was briefly superimposed over my own – gibbous like the moon.
Zenith slept, lost in whatever dreams had snared him in their silken skeins. A sly smile quirked his lips, and I watched him a while, washed out by the light of a single candle. An impulse led me to his bag, where he kept his money. I had to see it for myself.
There was no promised roll of notes. What I did find was a handful of copper and a few silvers, as well as stubs from a place called Table Bay Taverna. The ink smudged off on my fingers, but I could still make out the words: Bright Fella, Startling Arrow, Grey Mane…
Without turning on the light, I sat there while that single candle guttered, and I traced the words and spoke them under my breath as though they were invocations. I pressed the stubs to my nose and inhaled…
Men sweating crowded around a small flickering screen wreathed in cigarette smoke beer stains on the floor tiny horses running down the straight tickets clutched in oil-stained hands anticipation elation disappointment
I didn’t need to ask Zenith where the money had gone. This time, when the siren song only I could hear bloomed in my soul, I added my voice to its threnody.
Zenith did not wake, even when I shut the door behind me. Nor did he race after me. I became a shadow, headed to the north and this new continent’s arid interior, and for once, I felt no fear.
Super secret question: What birds grace Taym's windowsill?
SIREN SONG
I followed Zenith south. It seemed the best thing to do after we barely survived the bomb blast in Rotterdam that took so many of our friends.
“Europe’s gone for shit,” he told me. “We must make like rats.”
Zenith was nothing like a rat. Tall and whiplash thin, he had skin like burnt sugar and large, expressive eyes – brown, like a doe’s – but there was nothing soft about his nature.
The voyage was beyond awful, and we scuttled about the ship’s hold, eluding capture. Zenith turned it into something of a game. All I wanted was to feel sold ground beneath my feet again, and to put distance between ourselves and the humans, whose stink contaminated the vessel.
Perhaps it was the combination of seasickness and what bad food we stole, but my dreams were troubled. A siren voice tugged at the edges of my awareness, and gave me no rest, so that I tossed and muttered when I was sleeping. Calling me south.
When I told Zenith about this, and that I feared that our quest was ill starred, and that perhaps we should disembark before we made port at the Cape of Storms, he only laughed at me.
“I should call you Ulysses and tie you to the mast,” he said.
“Who’s Ulysses?” I asked, puzzled.
“Never you mind,” he told me.
The cargo ship docked in the early hours of the morning, and all I could make out of the city was the dark bulk of a flat-topped mountain with a scattering of lights like lost stars at its feet.
We slipped between the dockworkers unloading crates and had one bad moment when four off-duty workers tailed us as we departed from the quay.
“Hey, pretty boys with the long hair. Are you girlies?”
“Moffies!” another brayed.
Zenith kept his arm around me as we hurried from these rough men.
“I don’t see how this place is better,” I muttered.
“Hush now.” He kissed my cheek. “You’ll see. There are no others here who call themselves Wraeththu. Things will be better.”
Zenith found us lodgings in the garret above a tavern that did double duty as a whorehouse. At night, when he was working in a nearby bar, I lay awake listening to the shrieks of laughter, murmurs of lovemaking, and, occasionally, stifled sobs.
I meant to find work, but the teeming streets frightened me. Besides, the few times I did explore on my own made Zenith anxious. He filled my head with awful tales of outside.
I confined myself to our room, and lost myself in silent contemplation. My only visitors were the pigeons with their beady yellow eyes and metallic-sheened plumage. I never tired of watching them strut and preen, and I flew with them when they stretched their wings and glided between the sullen buildings.
“Be patient,” Zenith told me. “I am saving money so we can rent rooms in a better part of town.”
“How much do you have now?” I asked, suspicious of how long it was taking him to find enough for a deposit.
“All I ask is that you trust me.”
Aruna was my sanctuary, when I allowed myself the abandon of our inner landscapes of starburst passions, and vortexes of power that dragged me into constellations of euphoria. I spread my wings wide and soared to the sun, Zenith my shadow, twined with my soul and consuming me with his hungry flames.
Afterward we’d cling to each other, and my entire existence contracted to the contours of his lips and the small scar on his left brow.
“What are you humming?” he asked me.
I hadn’t even known I had a song until I stopped.
“It makes me sad,” Zenith said.
“Why?”
He wouldn’t say. Instead he brought his mouth down on mine and his breath tasted of sunshine and autumn leaves.
Five weeks in that miserable garret and every time I asked Zenith how much longer, he told me to be patient. All the while the song at the boundary of my dreams grew more insistent. One night I woke with my legs hanging over the edge of the sill. The cobbles gleamed wetly beneath the light of the moon, suspended above. Vertigo almost tilted me over and I pulled back inside, my heart racing.
The melody shivered at the limits of my perception, more felt than heard, and when I pulled down the sash window, a stranger’s face was briefly superimposed over my own – gibbous like the moon.
Zenith slept, lost in whatever dreams had snared him in their silken skeins. A sly smile quirked his lips, and I watched him a while, washed out by the light of a single candle. An impulse led me to his bag, where he kept his money. I had to see it for myself.
There was no promised roll of notes. What I did find was a handful of copper and a few silvers, as well as stubs from a place called Table Bay Taverna. The ink smudged off on my fingers, but I could still make out the words: Bright Fella, Startling Arrow, Grey Mane…
Without turning on the light, I sat there while that single candle guttered, and I traced the words and spoke them under my breath as though they were invocations. I pressed the stubs to my nose and inhaled…
Men sweating crowded around a small flickering screen wreathed in cigarette smoke beer stains on the floor tiny horses running down the straight tickets clutched in oil-stained hands anticipation elation disappointment
I didn’t need to ask Zenith where the money had gone. This time, when the siren song only I could hear bloomed in my soul, I added my voice to its threnody.
Zenith did not wake, even when I shut the door behind me. Nor did he race after me. I became a shadow, headed to the north and this new continent’s arid interior, and for once, I felt no fear.
* * * *
Super secret question: What birds grace Taym's windowsill?
Labels:
flash fiction,
immanion press,
para kindred,
wraeththu mythos
Sunday, June 15, 2014
Turquoiselle by Tanith Lee #review
Title: Turquoiselle
Author: Tanith Lee
Publisher: Immanion Press, 2014
Sometimes I wrestle with the books I read, and Turquoiselle by Tanith Lee was one of those titles that both infuriated me and fascinated me by equal measure. Mainly because I ask myself, “Why is this book making me feel this way and what does this say about me as a reader?”
I often feel that many books nowadays give up their secrets too quickly. This is not one of those books. We enter Andy Carver’s world and from the get-go it’s not very clear who this man is nor what his motivations are. In fact, I suspect that Carver hasn’t ever truly bothered to scratch beneath the surface yet, so in that regard is not an easy character to relate to or indeed like.
The story’s pacing is slow and gradually reveals clues to Carver’s past: his troubled childhood and how he came to work for an organisation called Mantik, whose purpose I don’t even think Carver understands or cares to uncover.
Carver exists in an eternal present and has no strong interests about anything or anyone beyond himself. He is a narcissistic cipher, and perceiving the world through his eyes is almost maddening. He has no friends, and how on earth he even got it together to get married, I don’t know. Unsurprisingly, his marriage is dysfunctional, and it doesn’t seem to bother him.
I feel as if Carver merely goes through the motions of life because society and his work expect it of him. The only quirk of his personality is that he occasionally indulges in small bouts of kleptomania – always taking small, unimportant items that he then stashes in a shed in his back garden.
Of course things do begin to take a strange(r) turn in Carver’s life yet he remains passive – waiting to see what others do first before he reacts. This passivity nearly drove me nuts, but I’m glad I persisted in seeing the story through to its conclusion. People behave strangely around Carver, and I had no idea why. I needed to find out. Granted, this gets revealed later, so I don’t want to ruin it for you with any spoilers, suffice to say that there are a few reversals to do your head in.
Now to get down to the meat and bones of this story. This novel is most emphatically *not* for everyone. I was simultaneously reminded of Twin Peaks and William Burroughs – every gradual unfolding was languid and surreal, and seemed unrelated, random and dreamlike.
Lee’s writing is not so much about the narrative structure, but also about the oppressive sense of claustrophobia and mystery apparent in her setting. As always, her descriptions are lavish, detailed – to be savoured.
I think longstanding fans of Lee’s writing will be right at home. Me, I’m dithering on this one. Loved it and felt resistance at the same time, but realise it’s most likely because I’ve been lazy in my choices of reading matter of late. This book required effort on my part. I kept thinking of The Magus by John Fowles while reading Turquoiselle, and probably for good reason. Make of that what you will.
Author: Tanith Lee
Publisher: Immanion Press, 2014
Sometimes I wrestle with the books I read, and Turquoiselle by Tanith Lee was one of those titles that both infuriated me and fascinated me by equal measure. Mainly because I ask myself, “Why is this book making me feel this way and what does this say about me as a reader?”I often feel that many books nowadays give up their secrets too quickly. This is not one of those books. We enter Andy Carver’s world and from the get-go it’s not very clear who this man is nor what his motivations are. In fact, I suspect that Carver hasn’t ever truly bothered to scratch beneath the surface yet, so in that regard is not an easy character to relate to or indeed like.
The story’s pacing is slow and gradually reveals clues to Carver’s past: his troubled childhood and how he came to work for an organisation called Mantik, whose purpose I don’t even think Carver understands or cares to uncover.
Carver exists in an eternal present and has no strong interests about anything or anyone beyond himself. He is a narcissistic cipher, and perceiving the world through his eyes is almost maddening. He has no friends, and how on earth he even got it together to get married, I don’t know. Unsurprisingly, his marriage is dysfunctional, and it doesn’t seem to bother him.
I feel as if Carver merely goes through the motions of life because society and his work expect it of him. The only quirk of his personality is that he occasionally indulges in small bouts of kleptomania – always taking small, unimportant items that he then stashes in a shed in his back garden.
Of course things do begin to take a strange(r) turn in Carver’s life yet he remains passive – waiting to see what others do first before he reacts. This passivity nearly drove me nuts, but I’m glad I persisted in seeing the story through to its conclusion. People behave strangely around Carver, and I had no idea why. I needed to find out. Granted, this gets revealed later, so I don’t want to ruin it for you with any spoilers, suffice to say that there are a few reversals to do your head in.
Now to get down to the meat and bones of this story. This novel is most emphatically *not* for everyone. I was simultaneously reminded of Twin Peaks and William Burroughs – every gradual unfolding was languid and surreal, and seemed unrelated, random and dreamlike.
Lee’s writing is not so much about the narrative structure, but also about the oppressive sense of claustrophobia and mystery apparent in her setting. As always, her descriptions are lavish, detailed – to be savoured.
I think longstanding fans of Lee’s writing will be right at home. Me, I’m dithering on this one. Loved it and felt resistance at the same time, but realise it’s most likely because I’ve been lazy in my choices of reading matter of late. This book required effort on my part. I kept thinking of The Magus by John Fowles while reading Turquoiselle, and probably for good reason. Make of that what you will.
Tuesday, May 20, 2014
The Fulfilments of Fate and desire (Wraeththu #3) #review
Title: The Fulfilments of Fate and Desire (Wraeththu #3)
Author: Storm Constantine
Publisher: Immanion Press (First published 1989)
This is the final instalment in Storm Constantine’s trilogy, and is told from Cal’s point of view, ostensibly in the form of his journal keeping while he travels. We join him in Fallsend, as far from the light of Immanion as he can get, surrounded by all the dregs of Wraeththu society, many of whom have run and can get no further. The Cal we meet here is vastly different from the Cal we got to know through Pellaz’s and Swift’s eyes.
Bitter and negative, he has very little purpose, and revels in his outcast status. He hits a nadir we could never have imagined in the preceding books, even when he murdered Orien after being driven mad by Pell’s apparent death. Though it is clear he still has feelings for Pell, he also labours under the assumption that Pell has rejected him. Thiede’s second-rate offer has also been spurned. Cal will have all of Pell, or none.
What follows is a hallmark of Constantine’s writing echoed in Sea Dragon Heir – the protagonist embarks on a quest, that changes him both physical and metaphysical levels. Cal journeys through the territories of various Wraeththu tribes and gradually heals, reclaims his power and discovers purpose, not to mention becoming entrusted with a great secret that rivals the Aghama himself. Such is Cal, an antinomian figure in Wraeththu society, always daring where others fear to tread. As much as Pellaz is the light of Wraeththu, Cal is the dark – but to reveal more is to ruin the story.
As always, Constantine envisions a remarkable setting laden with esoteric meaning and populated with fascinating characters – all combining to lay a feast for those readers who appreciate this sort of thing.
The conclusion was suitably apt, even if I personally felt that the execution came off a bit rushed – there were parts where I wanted Constantine to offer more complex layering. This being said, and when the mythos is viewed as a whole, this issue doesn’t detract from my overall enjoyment. Granted, I do feel that the writing style for book three is a bit choppy compared to the preceding two, and I’m not certain whether this was done on purpose to show how fragmented Cal had become at first.
What Constantine excels in doing is her world building, which is as always incredibly tactile. The story unfolds at a leisurely pace, and I’m pretty sure that I’ll revisit this particular trilogy some time in the future and inevitably discover other elements I did not at first consider.
Author: Storm Constantine
Publisher: Immanion Press (First published 1989)
This is the final instalment in Storm Constantine’s trilogy, and is told from Cal’s point of view, ostensibly in the form of his journal keeping while he travels. We join him in Fallsend, as far from the light of Immanion as he can get, surrounded by all the dregs of Wraeththu society, many of whom have run and can get no further. The Cal we meet here is vastly different from the Cal we got to know through Pellaz’s and Swift’s eyes.Bitter and negative, he has very little purpose, and revels in his outcast status. He hits a nadir we could never have imagined in the preceding books, even when he murdered Orien after being driven mad by Pell’s apparent death. Though it is clear he still has feelings for Pell, he also labours under the assumption that Pell has rejected him. Thiede’s second-rate offer has also been spurned. Cal will have all of Pell, or none.
What follows is a hallmark of Constantine’s writing echoed in Sea Dragon Heir – the protagonist embarks on a quest, that changes him both physical and metaphysical levels. Cal journeys through the territories of various Wraeththu tribes and gradually heals, reclaims his power and discovers purpose, not to mention becoming entrusted with a great secret that rivals the Aghama himself. Such is Cal, an antinomian figure in Wraeththu society, always daring where others fear to tread. As much as Pellaz is the light of Wraeththu, Cal is the dark – but to reveal more is to ruin the story.
As always, Constantine envisions a remarkable setting laden with esoteric meaning and populated with fascinating characters – all combining to lay a feast for those readers who appreciate this sort of thing.
The conclusion was suitably apt, even if I personally felt that the execution came off a bit rushed – there were parts where I wanted Constantine to offer more complex layering. This being said, and when the mythos is viewed as a whole, this issue doesn’t detract from my overall enjoyment. Granted, I do feel that the writing style for book three is a bit choppy compared to the preceding two, and I’m not certain whether this was done on purpose to show how fragmented Cal had become at first.
What Constantine excels in doing is her world building, which is as always incredibly tactile. The story unfolds at a leisurely pace, and I’m pretty sure that I’ll revisit this particular trilogy some time in the future and inevitably discover other elements I did not at first consider.
Thursday, April 24, 2014
Meet Ash Corvida, fellow Para Kindred author
A big welcome to Ash Corvida, who's also one of the contributing authors in the Immanion Press Para Kindred anthology, and who's here today to share a little bit in a Q&A. So, Ash, what do you love about Wraeththu Mythos?
Storm's writing style and the imagery she creates around Wraeththu are so deliciously rich and conjure such an intoxicating blend of thought and emotions, that I was instantly hooked. Also her world populated by a species of hermaphrodites, who have grown from human stock but developed far beyond human shortcomings and whose dream it is to evolve and explore the limits of their abilities resonated deeply within me. I feel that she takes a rather accurate account on where the world might go if we don't get a grip, but then she turns this rather dreary scenario into something new and wondrous with Wraeththu rising like a phoenix from the ashes of humanity.
The books offer an inspiration to start thinking on new paths and to search for new options within each individual. Who knows, maybe there is a har hiding deep within us, a beautiful and powerful creature, who can awaken us to our full potential?
Everyone’s story will have that spark that set the wheels spinning? What was yours?
Actually I was going to write a completely different story, something dark and deeply disturbing about some stray Teraghasts. But because I had not been writing for a long time I started out on a practice piece. It was supposed to be just a quick and short one of course. But soon enough I was pulled into the green depth of the jungle sharing the adventure and wondrous discoveries with my protagonists, while the idea for the other story went back to sleep. I might still write that one at a later point though.
Without giving any spoilers, can you share a bit about your story?
Torghyn and Marach are young hara of a hunter tribe, living on the edge of the rainforest. Their leaders believe that the only way to survive is a primitive life abandoning all technological and spiritual advancement and they use the decline of humanity as proof of their convictions. They also claim that there are demons stalking the jungle, fearsome creatures of fire living in the nearby volcano, who will punish any har overstepping their rules. Thorgyn and Marach doubt the truth of those legends and dreaming of a better life one day set out into the jungle to venture far beyond the allowed hunting grounds, where they make some very intriguing discoveries.
Are there any underlying themes you visited?
One I guess is that no matter how great your inborn talent or abilities are, fear and the need for control can reduce any person to either a power hungry tyrant or a little wheel in his machinery.
Also I always wonder about technologies which work with nature instead of against it and like to explore the possibilities.
Then, a little bit about yourself and your influences.
A loner as a child I spent much time outside in nature daydreaming myself into a world of my own peopled with demon-angels and other strange creatures of my imagination. There also was a great urge to capture the impressions of those worlds in art, sculpting, painting, composing and playing music or writing poetry and stories. Over the years I kept up the dreaming when almost everybody around me "grew up" and lost interest in such fantastic worlds. Later a deep interest in spirituality provided a new layer to the kaleidoscope of inner impressions and discoveries and I found new inspiration in myth and legend.
And of course I was a fan of science fiction and fantasy, from way back in the old days, when in Germany besides the first seasons of Star Trek on the TV, The Lord of the Rings and some books by authors like Heinlein or Asimov, stories of that genre were still mostly sold in dime novels, a kind of literature which I was not allowed to read. But nothing could keep me from it for long, after a friend loaned me her stack of Perry Rhodan and Atlan dime novels, which I read in secret at her house, I was corrupted. I was also deeply inspired by those few fantasy novels which were among the first to be translated in to German, especially Michael Moorcock's Elric and Tanith Lee's Vazkor cycles. These will stay with me forever I think.
Maybe somewhat surprisingly I grew into a rather rational person anyway, currently working in programming and web design. My many interests reach from science and technology to psychology, history, foreign cultures and philosophy. This part of me is the sceptic, who keeps my feet on the ground and food on the table.
But actually no matter what I do, I am always on the hunt for more inspiration, because art in any form is the core of my life.
More Art and writing by Ash Corvida.
Also see my experimental writing blog.
Storm's writing style and the imagery she creates around Wraeththu are so deliciously rich and conjure such an intoxicating blend of thought and emotions, that I was instantly hooked. Also her world populated by a species of hermaphrodites, who have grown from human stock but developed far beyond human shortcomings and whose dream it is to evolve and explore the limits of their abilities resonated deeply within me. I feel that she takes a rather accurate account on where the world might go if we don't get a grip, but then she turns this rather dreary scenario into something new and wondrous with Wraeththu rising like a phoenix from the ashes of humanity.The books offer an inspiration to start thinking on new paths and to search for new options within each individual. Who knows, maybe there is a har hiding deep within us, a beautiful and powerful creature, who can awaken us to our full potential?
Everyone’s story will have that spark that set the wheels spinning? What was yours?
Actually I was going to write a completely different story, something dark and deeply disturbing about some stray Teraghasts. But because I had not been writing for a long time I started out on a practice piece. It was supposed to be just a quick and short one of course. But soon enough I was pulled into the green depth of the jungle sharing the adventure and wondrous discoveries with my protagonists, while the idea for the other story went back to sleep. I might still write that one at a later point though.
Without giving any spoilers, can you share a bit about your story?
Torghyn and Marach are young hara of a hunter tribe, living on the edge of the rainforest. Their leaders believe that the only way to survive is a primitive life abandoning all technological and spiritual advancement and they use the decline of humanity as proof of their convictions. They also claim that there are demons stalking the jungle, fearsome creatures of fire living in the nearby volcano, who will punish any har overstepping their rules. Thorgyn and Marach doubt the truth of those legends and dreaming of a better life one day set out into the jungle to venture far beyond the allowed hunting grounds, where they make some very intriguing discoveries.
Are there any underlying themes you visited?
One I guess is that no matter how great your inborn talent or abilities are, fear and the need for control can reduce any person to either a power hungry tyrant or a little wheel in his machinery.
Also I always wonder about technologies which work with nature instead of against it and like to explore the possibilities.
Then, a little bit about yourself and your influences.
A loner as a child I spent much time outside in nature daydreaming myself into a world of my own peopled with demon-angels and other strange creatures of my imagination. There also was a great urge to capture the impressions of those worlds in art, sculpting, painting, composing and playing music or writing poetry and stories. Over the years I kept up the dreaming when almost everybody around me "grew up" and lost interest in such fantastic worlds. Later a deep interest in spirituality provided a new layer to the kaleidoscope of inner impressions and discoveries and I found new inspiration in myth and legend.
And of course I was a fan of science fiction and fantasy, from way back in the old days, when in Germany besides the first seasons of Star Trek on the TV, The Lord of the Rings and some books by authors like Heinlein or Asimov, stories of that genre were still mostly sold in dime novels, a kind of literature which I was not allowed to read. But nothing could keep me from it for long, after a friend loaned me her stack of Perry Rhodan and Atlan dime novels, which I read in secret at her house, I was corrupted. I was also deeply inspired by those few fantasy novels which were among the first to be translated in to German, especially Michael Moorcock's Elric and Tanith Lee's Vazkor cycles. These will stay with me forever I think.Maybe somewhat surprisingly I grew into a rather rational person anyway, currently working in programming and web design. My many interests reach from science and technology to psychology, history, foreign cultures and philosophy. This part of me is the sceptic, who keeps my feet on the ground and food on the table.
But actually no matter what I do, I am always on the hunt for more inspiration, because art in any form is the core of my life.
More Art and writing by Ash Corvida.
Also see my experimental writing blog.
Labels:
ash corvida,
immanion press,
para kindred,
wraeththu mythos
Tuesday, April 22, 2014
Meet Para Kindred author Suzanne Gabriel
We remain with all things Wraeththu today with Para Kindred author Suzanne Gabriel, who's dropping by to subject herself to a little Q&A. Welcome, Suzanne. Do tell us what you love about the Wraeththu Mythos?
I connected immediately with these stories as I have always been fascinated by how societies see the concepts of male and female. Boys don’t cry and love sports. Girls love pink and shopping. Boys are big and muscular. Girls are petite and graceful. Who makes up these rules?
Growing up I was a tomboy; I rescued earthworms (still do!), got muddy (I still do that too!), but I also loved ballet class, and make-up. When I was very little I decided that our spirits were not male or female and that gender/gender-identity must be something that was on a sliding scale; something fluid.
I also love that fact that the post-apocalyptic world is the result of the slow decay of humanity rather than zombies, or aliens.
Everyone’s story will have that spark that set the wheels spinning? What was yours?
So many people are so driven, so ambitious, and want to be the biggest, the best, and the most powerful. They allow their career to define them. They say they are happy, but sometimes I wonder. In the past few years I’ve seen a number of people forced to drastically re-evaluate their priorities due to job losses, or health, and sometimes relationship changes. I thought it would be fun to pull the rug out from under a career-focused har and see how he adjusted.
Without giving any spoilers, can you share a bit about your story?
Tobian is ambitious and driven healer who aspires to further his career, but after a sudden fall from grace he finds himself far from home and learning to adapt a new pace of life. He discovers that despite his elite training, he still has much to learn and there are still mysteries to explore.
Are there any underlying themes you visited?
Oh dear… I’m not sure. Resilience and adaptability? Curiosity and acceptance?
Then, a little bit about yourself and your influences.
My parents had wanderlust so I grew up in USA, Canada, UK, and back in Canada again. I’m always looking for a label so that I could more easily describe myself but since I’m a little bit main stream, a little bit hippie, a little bit science geek, history buff, … I can’t! When asked, my eldest says “the weirdest mix of dark humour, science, and new age hippie”. I have way too many hobbies and too many books on my ‘must read’ list. I’m such a skeptic that I am constantly questioning the things that I believe in.
Follow Suzanne on Facebook or check out her blog.
I connected immediately with these stories as I have always been fascinated by how societies see the concepts of male and female. Boys don’t cry and love sports. Girls love pink and shopping. Boys are big and muscular. Girls are petite and graceful. Who makes up these rules?
Growing up I was a tomboy; I rescued earthworms (still do!), got muddy (I still do that too!), but I also loved ballet class, and make-up. When I was very little I decided that our spirits were not male or female and that gender/gender-identity must be something that was on a sliding scale; something fluid.
I also love that fact that the post-apocalyptic world is the result of the slow decay of humanity rather than zombies, or aliens.
Everyone’s story will have that spark that set the wheels spinning? What was yours?So many people are so driven, so ambitious, and want to be the biggest, the best, and the most powerful. They allow their career to define them. They say they are happy, but sometimes I wonder. In the past few years I’ve seen a number of people forced to drastically re-evaluate their priorities due to job losses, or health, and sometimes relationship changes. I thought it would be fun to pull the rug out from under a career-focused har and see how he adjusted.
Without giving any spoilers, can you share a bit about your story?
Tobian is ambitious and driven healer who aspires to further his career, but after a sudden fall from grace he finds himself far from home and learning to adapt a new pace of life. He discovers that despite his elite training, he still has much to learn and there are still mysteries to explore.
Are there any underlying themes you visited?
Oh dear… I’m not sure. Resilience and adaptability? Curiosity and acceptance?
Then, a little bit about yourself and your influences.
My parents had wanderlust so I grew up in USA, Canada, UK, and back in Canada again. I’m always looking for a label so that I could more easily describe myself but since I’m a little bit main stream, a little bit hippie, a little bit science geek, history buff, … I can’t! When asked, my eldest says “the weirdest mix of dark humour, science, and new age hippie”. I have way too many hobbies and too many books on my ‘must read’ list. I’m such a skeptic that I am constantly questioning the things that I believe in.
Follow Suzanne on Facebook or check out her blog.
Monday, April 21, 2014
Meet Para Kindred author & co-editor Wendy Darling
Today I hand over my blog to Wendy Darling, who's played a pivotal role in helping to curate and build the Wraeththu Mythos. Over to you, Wendy...
I first encountered Wraeththu far later than I wish I had – 2001 was the pivotal year – but thirteen years later, I feel like it’s something that’s been with me forever.
Para Kindred is the latest of many projects I’ve undertaken with Storm Constantine, exploring, expanding, celebrating, illustrating the world of Wraeththu. From this, the latest of three anthologies, to working with Storm on her novels, to the hundreds of fan fiction stories I’ve collected or edited (and those many I have written), I am deeply satisfied by the fact this world and its characters seems to go on and on, carried forward both by its creators and its fans.
My Stories
In coming up with my contributions for Para Kindred, I fell into the same pattern I had with the prior two anthologies: one story was either done before I started or came all at once in a rush, while the other was quite a bit of work, dragged out over time. So I guess it was like the mom whose first labor takes two days, an agony, and second labor happens so fast her baby is born in the car.

“Sea and Shore” was the story that came to me first and the one I started on first, but ultimately gave me some trouble. The kernel of the idea came to me when the theme was first suggested: mutants and enigmas of Wraeththu. What could have happened to some hara? What would be interesting?
I don’t want to spoil my story, so I’ll say that after I had my idea, of a particular mutation, I knew the setting immediately: coastal Maine. Not only did I grow up with that area as one of my favorite places, but only last fall I had a fantastic weeklong trip there with my mother. Images and sensations were still fresh in my head, and that helped me immeasurably when I sat down to work.
Unfortunately, having the setting and basic plot didn’t solve all my problems. My first struggle was point of view. I started out writing in the first person, which I usually do well with, but I felt like the tale was spinning out without getting to the point. Then I switched to the third person and decided I would alternate with the story of the other major character. But still it wasn’t working somehow. So I gave it a rest and meanwhile focused on all the submissions I had to edit! For this collection I edited four stories, plus Storm’s two, so it did take some effort to get through the drafts and finalize those.
But one night, when I had a pause in between edits, I sat down to start writing “Sea and Shore” over, from the beginning. Only when I started typing, a whole different story came out! The first line sort of popped into my head as I was sitting down and I typed it out and kept going. I started out with a har talking to his harling, not knowing where I was going, but within the first page, I figured it out, and four hours later I had come up with a story I was very happy with, called “Dysphoria.” This story is more about “throwbacks” than it is about Wraeththu “mutants” and meanwhile also handles issues of gender identity, one of my abiding life interests. That it came so easily was a shock.
It was two weeks after that, and with the deadline clock ticking, that I finally started up on “Sea and Shore” again. Working on just a couple of chunks a night (one character section, then alternating to the other, then stopping), I finished it up in half a week. When I sent it to Storm to edit and proof, I was worried she would find it rough and disjointed, but to my surprised she said it sounded like it had flowed out of me without much effort. This was not the case but glad it gives that impression!
About Me
A Yankee who’s been based in Atlanta, Georgia, for a shocking number of years, doing tech work, I have somehow managed a sideline as an author and editor of both Wraeththu Mythos fiction as well as non-fiction writing and other genre writing.
With Bridgette Parker, I was co-author of Breeding Discontent, published by Immanion Press in 2003 as the first Wraeththu Mythos novel. Over the years, I’ve been involved in Wraeththu in many different capacities, including editor of Storm Constantine's revised Wraeththu Chronicles, webmaster of the Inception and Forever Wraeththu fan web sites, and staff at several Wraeththu conventions. I also co-edited the two prior Wraeththu Mythos story collections, Paragenesis: Stories from the Dawn of Wraeththu (2010) and Para Imminence: Stories of the Future of Wraeththu (2012). Both anthologies include two of my own short stories, plus essays related to Wraeththu. I have undertaken other Immanion Press projects, including editing an epic fantasy and at one time working on the press’s web site.
My full time job is rather unrelated to this. I’m a web projects manager at Emory University, handling a ton of digital communications (web sites, blogs, social media, video) related mostly to medical research and discovery. Much as I actually love my job, I am completely helpless when it comes to engaging in side projects and hobbies, including photography, architecture and writing. One of my side projects is a blog about Art Deco architecture that has a legion of Tumblr fans that I never dreamt possible.
To find out more about me, a few helpful profile links: 1) social connections on my About.me profile, 2) author/editor/reader profile on Goodreads, 3) micro-blog on Twitter and of course 4) Facebook.
I first encountered Wraeththu far later than I wish I had – 2001 was the pivotal year – but thirteen years later, I feel like it’s something that’s been with me forever.
Para Kindred is the latest of many projects I’ve undertaken with Storm Constantine, exploring, expanding, celebrating, illustrating the world of Wraeththu. From this, the latest of three anthologies, to working with Storm on her novels, to the hundreds of fan fiction stories I’ve collected or edited (and those many I have written), I am deeply satisfied by the fact this world and its characters seems to go on and on, carried forward both by its creators and its fans.
My Stories
In coming up with my contributions for Para Kindred, I fell into the same pattern I had with the prior two anthologies: one story was either done before I started or came all at once in a rush, while the other was quite a bit of work, dragged out over time. So I guess it was like the mom whose first labor takes two days, an agony, and second labor happens so fast her baby is born in the car.

“Sea and Shore” was the story that came to me first and the one I started on first, but ultimately gave me some trouble. The kernel of the idea came to me when the theme was first suggested: mutants and enigmas of Wraeththu. What could have happened to some hara? What would be interesting?
I don’t want to spoil my story, so I’ll say that after I had my idea, of a particular mutation, I knew the setting immediately: coastal Maine. Not only did I grow up with that area as one of my favorite places, but only last fall I had a fantastic weeklong trip there with my mother. Images and sensations were still fresh in my head, and that helped me immeasurably when I sat down to work.
Unfortunately, having the setting and basic plot didn’t solve all my problems. My first struggle was point of view. I started out writing in the first person, which I usually do well with, but I felt like the tale was spinning out without getting to the point. Then I switched to the third person and decided I would alternate with the story of the other major character. But still it wasn’t working somehow. So I gave it a rest and meanwhile focused on all the submissions I had to edit! For this collection I edited four stories, plus Storm’s two, so it did take some effort to get through the drafts and finalize those.
But one night, when I had a pause in between edits, I sat down to start writing “Sea and Shore” over, from the beginning. Only when I started typing, a whole different story came out! The first line sort of popped into my head as I was sitting down and I typed it out and kept going. I started out with a har talking to his harling, not knowing where I was going, but within the first page, I figured it out, and four hours later I had come up with a story I was very happy with, called “Dysphoria.” This story is more about “throwbacks” than it is about Wraeththu “mutants” and meanwhile also handles issues of gender identity, one of my abiding life interests. That it came so easily was a shock.
It was two weeks after that, and with the deadline clock ticking, that I finally started up on “Sea and Shore” again. Working on just a couple of chunks a night (one character section, then alternating to the other, then stopping), I finished it up in half a week. When I sent it to Storm to edit and proof, I was worried she would find it rough and disjointed, but to my surprised she said it sounded like it had flowed out of me without much effort. This was not the case but glad it gives that impression!
About Me
A Yankee who’s been based in Atlanta, Georgia, for a shocking number of years, doing tech work, I have somehow managed a sideline as an author and editor of both Wraeththu Mythos fiction as well as non-fiction writing and other genre writing.
With Bridgette Parker, I was co-author of Breeding Discontent, published by Immanion Press in 2003 as the first Wraeththu Mythos novel. Over the years, I’ve been involved in Wraeththu in many different capacities, including editor of Storm Constantine's revised Wraeththu Chronicles, webmaster of the Inception and Forever Wraeththu fan web sites, and staff at several Wraeththu conventions. I also co-edited the two prior Wraeththu Mythos story collections, Paragenesis: Stories from the Dawn of Wraeththu (2010) and Para Imminence: Stories of the Future of Wraeththu (2012). Both anthologies include two of my own short stories, plus essays related to Wraeththu. I have undertaken other Immanion Press projects, including editing an epic fantasy and at one time working on the press’s web site.
My full time job is rather unrelated to this. I’m a web projects manager at Emory University, handling a ton of digital communications (web sites, blogs, social media, video) related mostly to medical research and discovery. Much as I actually love my job, I am completely helpless when it comes to engaging in side projects and hobbies, including photography, architecture and writing. One of my side projects is a blog about Art Deco architecture that has a legion of Tumblr fans that I never dreamt possible.
To find out more about me, a few helpful profile links: 1) social connections on my About.me profile, 2) author/editor/reader profile on Goodreads, 3) micro-blog on Twitter and of course 4) Facebook.
Wednesday, April 16, 2014
Para Kindred anthology author ES Wynn #wraeththu
Today I've another Para Kindred contributor on board. A huge welcome to ES Wynn!
What do you love about the Wraeththu Mythos?
So much. Honestly. When I first started reading Storm's work, I was drawn by the elegance of these angelic, post-human beings, by the idea that we (as humans) could become something greater, something more than we are. The post-apocalyptic landscape appealed to me, but more than that, I think, it was the unique take on the post-apocalyptic idea that Storm puts forth which grabbed me most fluidly.
I grew up in a pagan household on one side and a wildly pentecostal household on the other, so powerful, ecstatic spiritual experience has always been a part of my life. Seeing that kind of ritual drama expressed so vividly in such a richly detailed post-human race is definitely one of the things which has drawn me to the Mythos most strongly– there's nothing else like it. Nothing else I've seen, anyway. It's that whole “the world has ended, now we can truly be who we were meant to be, and the world is so much wider and more wondrous than we imagined” concept that truly, deeply resonates with me.
Everyone’s story will have that spark that set the wheels spinning? What was yours?
One of the things I've always found most tantalizing about the early years within the timeline of the Wraeththu universe are the hints and stories which indicate the role that medical experimentation might have played in the creation and spread of the Wraeththu. As a writer, I've always been drawn to the creepy side of sci-fi, the sort of dark, transformational lab experiences where technology which offers such hope and promise for the future is bent toward sinister ends. Story seeds like that are always fun and exciting to explore, and so when I received the notice that Para Kindred was open for submissions, I saw a wonderful opportunity to create something which delved into that darker side on one hand, and into the more dream-like, spiritual side of Wraeththu on the other.

I was also in the final stages of completing a book called Like Oceans of Liquid Skin (which features an antagonist as “fluid” as the main character in Wolf) when the call came in, so I'd mark that as an inspiration as well. I have a soft spot in my heart for skinwalkers and creepy, fleshy shapeshifters.
Without giving any spoilers, can you share a bit about your story?
I like to think that Wolf reflects my favorite aspects of the Wraeththu universe. It's a story of awakening, of transformational experience with its roots in the ashes of the material world and its branches in the sky of a dream-like after-world. It's the story of one being's journey of self-discovery while the world of man and the world of Wraeththu spin on without stopping. In the story, we follow the main character through some of the most recognizable ages of the Wraeththu, but events unfold at a distance, as Wolf is not a central character to change. Wolf is rather something more like an observer, lingering in the hinterlands, with a wholly unique story to tell.
Then, a little bit about yourself and your influences.
When it comes to influences, I am a sponge. I read everything I can, and try to dissect and understand the writings of other authors across any and all genres. My biggest influences are probably Storm Constantine (of course) Cormac McCarthy, Peter Grandbois, Damon Knight and Samuel R. Delany.
As for myself, I like to keep my bio simple. I'm a huge fan of sci-fi and of the surreal. I'm the author of over fifty books and the chief editor of a number of web journals through Thunderune Publishing. I'm always working on something new.
Catch up with ES Wynn here...
What do you love about the Wraeththu Mythos?
So much. Honestly. When I first started reading Storm's work, I was drawn by the elegance of these angelic, post-human beings, by the idea that we (as humans) could become something greater, something more than we are. The post-apocalyptic landscape appealed to me, but more than that, I think, it was the unique take on the post-apocalyptic idea that Storm puts forth which grabbed me most fluidly.I grew up in a pagan household on one side and a wildly pentecostal household on the other, so powerful, ecstatic spiritual experience has always been a part of my life. Seeing that kind of ritual drama expressed so vividly in such a richly detailed post-human race is definitely one of the things which has drawn me to the Mythos most strongly– there's nothing else like it. Nothing else I've seen, anyway. It's that whole “the world has ended, now we can truly be who we were meant to be, and the world is so much wider and more wondrous than we imagined” concept that truly, deeply resonates with me.
Everyone’s story will have that spark that set the wheels spinning? What was yours?
One of the things I've always found most tantalizing about the early years within the timeline of the Wraeththu universe are the hints and stories which indicate the role that medical experimentation might have played in the creation and spread of the Wraeththu. As a writer, I've always been drawn to the creepy side of sci-fi, the sort of dark, transformational lab experiences where technology which offers such hope and promise for the future is bent toward sinister ends. Story seeds like that are always fun and exciting to explore, and so when I received the notice that Para Kindred was open for submissions, I saw a wonderful opportunity to create something which delved into that darker side on one hand, and into the more dream-like, spiritual side of Wraeththu on the other.

I was also in the final stages of completing a book called Like Oceans of Liquid Skin (which features an antagonist as “fluid” as the main character in Wolf) when the call came in, so I'd mark that as an inspiration as well. I have a soft spot in my heart for skinwalkers and creepy, fleshy shapeshifters.
Without giving any spoilers, can you share a bit about your story?
I like to think that Wolf reflects my favorite aspects of the Wraeththu universe. It's a story of awakening, of transformational experience with its roots in the ashes of the material world and its branches in the sky of a dream-like after-world. It's the story of one being's journey of self-discovery while the world of man and the world of Wraeththu spin on without stopping. In the story, we follow the main character through some of the most recognizable ages of the Wraeththu, but events unfold at a distance, as Wolf is not a central character to change. Wolf is rather something more like an observer, lingering in the hinterlands, with a wholly unique story to tell.
Then, a little bit about yourself and your influences.
When it comes to influences, I am a sponge. I read everything I can, and try to dissect and understand the writings of other authors across any and all genres. My biggest influences are probably Storm Constantine (of course) Cormac McCarthy, Peter Grandbois, Damon Knight and Samuel R. Delany.
As for myself, I like to keep my bio simple. I'm a huge fan of sci-fi and of the surreal. I'm the author of over fifty books and the chief editor of a number of web journals through Thunderune Publishing. I'm always working on something new.
Catch up with ES Wynn here...
Labels:
dark fantasy,
ES Wynn,
immanion press,
para kindred,
wraeththu mythos
Tuesday, April 15, 2014
Meet Para Kindred author Maria Leel
Today I'm pleased to have fellow Wraeththu Mythos Para Kindred author Maria Leel visiting for a quick Q&A. Welcome, Maria. What do you love about the Wraeththu Mythos?
The books that comprise the original Wraeththu trilogy, now the Wraeththu Chronicles, have been my constant companions since late 1989 when, during a lunch break from work, a copy of The Enchantments of Flesh and Spirit mugged me in Hammick’s bookshop and insisted on being purchased. I confess I wasn’t terribly productive for the rest of the afternoon when I returned to the office. The trilogy has moved house with me more times that I can count; it has travelled around the world with me and to this day still occupies a prized spot on the bookshelf nearest to my bed. If you had told me then that I would have the opportunity to contribute stories to that world I loved so dearly I simply would not have believed you.
I have been fascinated with the ‘post-apocalyptical’ genre since childhood probably because I’ve been at odds with the dominant human culture from a very early age. I grew up in the 70s at the tail end of the hippie era surrounded by beautiful people with long hair and glam rock... And then you give me a whole trio of books set in a post apocalyptic Earth filled with amazingly beautiful creatures with long hair... Well, there was no hope for me!
Everyone’s story will have that spark that set the wheels spinning? What was yours?
Two things really. At the time the call for submissions to Para Kindred went out I was studying some of the work of Dr Paul Stamets, a pioneering American mycologist (check out his TED talk), specifically his work on fungi’s ability to clean up contamination. I mean, did you know that there is evidence at Chernobyl of slime moulds siphoning radiation out of the air and using it as their own power source? That and fungi’s role as a great underground information and resources network in primary forest; a genuine living phenomenon which for me had great resonance with the Na’vi’s ‘deity’ in the film Avatar.
I was reading Paul’s book Mycelium Running and my brain was literally pounding with the possibilities.
Around the same time I happened to re-watch a film called Raise the Red Lantern about a young girl who willingly becomes a concubine in the oppressive household of a wealthy warlord. I found her story both depressing and compelling.
Then the call for submissions came in and I was left wondering how I was going to bolt together a bunch of mushrooms and dynastic China into a workable story... without resorting to something hallucinogenic...
Without giving any spoilers, can you share a bit about your story?
The story centres around Chenga who lives in the dynastic territories of the Far East where ritual, protocol and tradition are valued above all things. Despite this, Chenga enjoys an almost blissful childhood thanks to his hostling, Lian, and his human teacher, Master Deshi-Tu. Chenga is fascinated by herb lore and enjoys a rare ability to hear the whispering chatter of the fungi that grow in abundance in his forest home. Master Deshi-Tu promises to teach Chenga the secret of the threads when he comes of age.
But Chenga’s childhood is tragically cut short and he is sent as a child bride to become the tenth consort of a wealthy and powerful dynastic overlord. Depressed and desperately unhappy, Chenga finds the overlord and the regime of his household cruel and divisive and he longs for freedom. Eventually the threads call to him again and he begins to see how escape might be possible.
Are there any underlying themes you visited?
Primarily the complexity of the living world – we really don’t understand how it all works and we mess with it at our peril. It’s all about relationships.
Oppression is another major theme. The dynamics of controlling and abusive relationships are both hideous and fascinating both in the case of an individual species’ abuse of a natural community and that of a single individual’s abuse of another. Stories need conflict and inevitably oppression is a good source for that.
I also think that literature is a particularly good medium for exploring the dynamics of abuse and bringing this hidden form of warfare into the light.
Then, a little bit about yourself and your influences.
My first degree was in Ecology and much of my work has been in the field of conservation so my stories all have strong link with natural systems and the landscape. I have travelled widely and lived in some pretty isolated places and those experiences tend to weave their way into my writing whether I wish them to or not. I am deeply grateful to Storm Constantine for welcoming contributors to the Wraeththu mythos and allowing fledgling authors to test their wings in the world of published writing.
I come from a family of dancers steeped in the folk traditions of England. My extended family are Morris dancers and from an early age I was surrounded by people with painted faces, dressed in wild costumes, bearing an assortment of curious instruments. This has led to a fairly relaxed attitude to the unorthodox.
Originally from the flat Fenlands in the east of England I now live on the hilly Welsh borders with my husband, two geriatric cats and a varying number of chickens. We have recently taken on a large urban garden which we are in the process of turning into a permaculture paradise. We’ve just put in a mini orchard and our next challenge is to convince our neighbours to allow us to bring in a couple of piglets to tractor up the patch where we plan to put the forest garden. Wish us luck with that one ;)
See my author page with Immanion Press is where you can also find details of my Wraeththu novel Song of the Sulh. I can be found on Facebook.
The books that comprise the original Wraeththu trilogy, now the Wraeththu Chronicles, have been my constant companions since late 1989 when, during a lunch break from work, a copy of The Enchantments of Flesh and Spirit mugged me in Hammick’s bookshop and insisted on being purchased. I confess I wasn’t terribly productive for the rest of the afternoon when I returned to the office. The trilogy has moved house with me more times that I can count; it has travelled around the world with me and to this day still occupies a prized spot on the bookshelf nearest to my bed. If you had told me then that I would have the opportunity to contribute stories to that world I loved so dearly I simply would not have believed you.
I have been fascinated with the ‘post-apocalyptical’ genre since childhood probably because I’ve been at odds with the dominant human culture from a very early age. I grew up in the 70s at the tail end of the hippie era surrounded by beautiful people with long hair and glam rock... And then you give me a whole trio of books set in a post apocalyptic Earth filled with amazingly beautiful creatures with long hair... Well, there was no hope for me!
Everyone’s story will have that spark that set the wheels spinning? What was yours?
Two things really. At the time the call for submissions to Para Kindred went out I was studying some of the work of Dr Paul Stamets, a pioneering American mycologist (check out his TED talk), specifically his work on fungi’s ability to clean up contamination. I mean, did you know that there is evidence at Chernobyl of slime moulds siphoning radiation out of the air and using it as their own power source? That and fungi’s role as a great underground information and resources network in primary forest; a genuine living phenomenon which for me had great resonance with the Na’vi’s ‘deity’ in the film Avatar.
I was reading Paul’s book Mycelium Running and my brain was literally pounding with the possibilities.
Around the same time I happened to re-watch a film called Raise the Red Lantern about a young girl who willingly becomes a concubine in the oppressive household of a wealthy warlord. I found her story both depressing and compelling.Then the call for submissions came in and I was left wondering how I was going to bolt together a bunch of mushrooms and dynastic China into a workable story... without resorting to something hallucinogenic...
Without giving any spoilers, can you share a bit about your story?
The story centres around Chenga who lives in the dynastic territories of the Far East where ritual, protocol and tradition are valued above all things. Despite this, Chenga enjoys an almost blissful childhood thanks to his hostling, Lian, and his human teacher, Master Deshi-Tu. Chenga is fascinated by herb lore and enjoys a rare ability to hear the whispering chatter of the fungi that grow in abundance in his forest home. Master Deshi-Tu promises to teach Chenga the secret of the threads when he comes of age.
But Chenga’s childhood is tragically cut short and he is sent as a child bride to become the tenth consort of a wealthy and powerful dynastic overlord. Depressed and desperately unhappy, Chenga finds the overlord and the regime of his household cruel and divisive and he longs for freedom. Eventually the threads call to him again and he begins to see how escape might be possible.
Are there any underlying themes you visited?
Primarily the complexity of the living world – we really don’t understand how it all works and we mess with it at our peril. It’s all about relationships.
Oppression is another major theme. The dynamics of controlling and abusive relationships are both hideous and fascinating both in the case of an individual species’ abuse of a natural community and that of a single individual’s abuse of another. Stories need conflict and inevitably oppression is a good source for that.
I also think that literature is a particularly good medium for exploring the dynamics of abuse and bringing this hidden form of warfare into the light.
Then, a little bit about yourself and your influences.
My first degree was in Ecology and much of my work has been in the field of conservation so my stories all have strong link with natural systems and the landscape. I have travelled widely and lived in some pretty isolated places and those experiences tend to weave their way into my writing whether I wish them to or not. I am deeply grateful to Storm Constantine for welcoming contributors to the Wraeththu mythos and allowing fledgling authors to test their wings in the world of published writing.
I come from a family of dancers steeped in the folk traditions of England. My extended family are Morris dancers and from an early age I was surrounded by people with painted faces, dressed in wild costumes, bearing an assortment of curious instruments. This has led to a fairly relaxed attitude to the unorthodox.
Originally from the flat Fenlands in the east of England I now live on the hilly Welsh borders with my husband, two geriatric cats and a varying number of chickens. We have recently taken on a large urban garden which we are in the process of turning into a permaculture paradise. We’ve just put in a mini orchard and our next challenge is to convince our neighbours to allow us to bring in a couple of piglets to tractor up the patch where we plan to put the forest garden. Wish us luck with that one ;)
See my author page with Immanion Press is where you can also find details of my Wraeththu novel Song of the Sulh. I can be found on Facebook.
Labels:
dark fantasy,
immanion press,
Maria Leel,
para kindred,
wraeththu mythos
Monday, April 14, 2014
Storm Constantine on Para Kindred
Today I am honoured to host Storm Constantine, who joins us to discuss her latest release, the Para Kindred anthology of Wraeththu Mythos short stories, which features original fiction not only by her, but also Wendy Darling, Martina Bellovičová, Ash Corvida, Nerine Dorman, Suzanne Gabriel, Fiona Lane, Maria J Leel , Daniela Ritter, E.S. Wynn.
Welcome, Storm...
One of the best aspects of compiling Wraeththu short story collections, such as Para Kindred, is that it gives me the opportunity to revisit the half-completed Wraeththu stories I have, some of which date back thirty years or more. For this latest anthology, I wrote one completely new story, and then turned to one of the ‘oldies’ for my other contribution.
The first, ‘Painted Skin’, was inspired by an image I remembered from a folk tale – that of a fairy woman who’s a beautiful and bewitching creature from the front, but whose back is hollow and that of a rotting tree. I can’t even remember where I first came across this image, although my friend and fellow writer Tanith Lee also remembers it, and thinks it might have been in a Hans Christian Anderson fairy tale. I’ve not yet trawled through my big collection of his stories to find out. I did discover, via a Danish friend and subsequent searches on the internet, that there is a Danish myth about the Elle folk, whose females were as described above, but whose males were hideously ugly and could spread pestilence. Both genders were not actively malevolent, as far as I could gather, but objected strongly to humans reacting negatively to their appearance. Once riled in such a way, through unintentional laughter or horror, they could turn nasty. The idea of the hollow woman has always fascinated me, and the idea came to me how to include it in a Wraeththu story. ‘Painted Skin’ was the result.

I began the other piece, ‘Without Weakness’, way back when writing the original Wraeththu trilogy, not long after I’d completed ‘The Enchantments of Flesh and Spirit’. It features two characters from the trilogy – the Kamagrian Kate and the harish Ashmael. A human enclave has managed to survive in the wilderness of Megalithica, despite attacks from rogue Wraeththu tribes. Nicholas, the youngest son of the Ferniman family, is particularly threatened by these enemies, not least because of his innate unusual abilities, not generally found in a human. The barbaric Wraeththu want to claim and incept him.
Ashmael and Kate, representing the more advanced tribe of Gelaming, seek to help the humans, and overcome their hostility. Initially, I planned the story to be a kind of romance, with love conquering all, but when I revisited it, so many years later, different ideas came to me. I had things to say about those who claim to ‘know what’s best for you’, when really all they know is what they consider best for them. In particular, this applies to medical professionals, who are often blinkered to say the least, and prone to promoting the latest fad or obsession. In the story, this involves the subject of inception – is it ever ‘necessary’, and if professional therapists consider it so, are they right? ‘Without Weakness’ was an interesting story to write, even if it was rather more difficult to produce than ‘Painted Skin’, which poured out without much effort on my part. Originally I’d planned for it to be a novella, and despite choosing to make it a shorter work, it still came in at 40 pages or so when it was finished.
Both stories were very enjoyable to write in their different ways. I hope to compile another Wraeththu story collection in the future, again with the help of other writers, to explore other aspects of the Wraeththu Mythos.
Bio:
After seventeen years of being professionally published, Storm decided that the only way for her books to stay in print for any length of time was to publish her back catalogue herself. With Immanion Press, she intends to rectify the typical fate of books, which is to have the "shelf life of a magazine".
Storm underwent a cursory art college education, but found it too restricting creatively. After a series of mundane jobs, she began writing seriously, and her first book, "The Enchantments of Flesh and Spirit" was published in 1987 by Macdonald Futura. Storm has written approximately 1.5 books a year ever since!
In the 80s and 90s, she frittered away some time managing bands, and caught the publishing bug from producing fan club magazines. After giving up the musical distraction, Storm embarked on the fiction project, "Visionary Tongue", which was a regular magazine of dark fantasy/fantasy/sf stories. She enlisted the help of several writer friends to act as editors, so that up-and-coming writers would have the chance to work with a professional, and pick up tips about their craft and the industry.
Immanion Press is undoubtedly an extension of what Storm began with Visionary Tongue. As well as her own work, and the back catalogue of friends and writers she admires, Storm is keen to promote new talent. As to what she's looking for, she says:
'It's difficult to define what I like, but it has to be different. I admire a slick style, believable characters, vivid yet economical description and an engaging story. I also like a certain level of quirkiness, as long as it isn't too self-conscious! A few of my favourite writers are Alice Hoffman, Tanith Lee, Jack Vance, Steve Millhauser and Jonathan Carroll, which might give people a potential idea of what appeals to me. I will edit the books that most appeal to me, but we also have a team of other editors who are all very thorough at what they do. I am known as rather a task-mistress with authors I work with, though - so be warned!
Welcome, Storm...
One of the best aspects of compiling Wraeththu short story collections, such as Para Kindred, is that it gives me the opportunity to revisit the half-completed Wraeththu stories I have, some of which date back thirty years or more. For this latest anthology, I wrote one completely new story, and then turned to one of the ‘oldies’ for my other contribution.
The first, ‘Painted Skin’, was inspired by an image I remembered from a folk tale – that of a fairy woman who’s a beautiful and bewitching creature from the front, but whose back is hollow and that of a rotting tree. I can’t even remember where I first came across this image, although my friend and fellow writer Tanith Lee also remembers it, and thinks it might have been in a Hans Christian Anderson fairy tale. I’ve not yet trawled through my big collection of his stories to find out. I did discover, via a Danish friend and subsequent searches on the internet, that there is a Danish myth about the Elle folk, whose females were as described above, but whose males were hideously ugly and could spread pestilence. Both genders were not actively malevolent, as far as I could gather, but objected strongly to humans reacting negatively to their appearance. Once riled in such a way, through unintentional laughter or horror, they could turn nasty. The idea of the hollow woman has always fascinated me, and the idea came to me how to include it in a Wraeththu story. ‘Painted Skin’ was the result.

I began the other piece, ‘Without Weakness’, way back when writing the original Wraeththu trilogy, not long after I’d completed ‘The Enchantments of Flesh and Spirit’. It features two characters from the trilogy – the Kamagrian Kate and the harish Ashmael. A human enclave has managed to survive in the wilderness of Megalithica, despite attacks from rogue Wraeththu tribes. Nicholas, the youngest son of the Ferniman family, is particularly threatened by these enemies, not least because of his innate unusual abilities, not generally found in a human. The barbaric Wraeththu want to claim and incept him.
Ashmael and Kate, representing the more advanced tribe of Gelaming, seek to help the humans, and overcome their hostility. Initially, I planned the story to be a kind of romance, with love conquering all, but when I revisited it, so many years later, different ideas came to me. I had things to say about those who claim to ‘know what’s best for you’, when really all they know is what they consider best for them. In particular, this applies to medical professionals, who are often blinkered to say the least, and prone to promoting the latest fad or obsession. In the story, this involves the subject of inception – is it ever ‘necessary’, and if professional therapists consider it so, are they right? ‘Without Weakness’ was an interesting story to write, even if it was rather more difficult to produce than ‘Painted Skin’, which poured out without much effort on my part. Originally I’d planned for it to be a novella, and despite choosing to make it a shorter work, it still came in at 40 pages or so when it was finished.
Both stories were very enjoyable to write in their different ways. I hope to compile another Wraeththu story collection in the future, again with the help of other writers, to explore other aspects of the Wraeththu Mythos.
Bio:
After seventeen years of being professionally published, Storm decided that the only way for her books to stay in print for any length of time was to publish her back catalogue herself. With Immanion Press, she intends to rectify the typical fate of books, which is to have the "shelf life of a magazine".
Storm underwent a cursory art college education, but found it too restricting creatively. After a series of mundane jobs, she began writing seriously, and her first book, "The Enchantments of Flesh and Spirit" was published in 1987 by Macdonald Futura. Storm has written approximately 1.5 books a year ever since!
In the 80s and 90s, she frittered away some time managing bands, and caught the publishing bug from producing fan club magazines. After giving up the musical distraction, Storm embarked on the fiction project, "Visionary Tongue", which was a regular magazine of dark fantasy/fantasy/sf stories. She enlisted the help of several writer friends to act as editors, so that up-and-coming writers would have the chance to work with a professional, and pick up tips about their craft and the industry.
Immanion Press is undoubtedly an extension of what Storm began with Visionary Tongue. As well as her own work, and the back catalogue of friends and writers she admires, Storm is keen to promote new talent. As to what she's looking for, she says:
'It's difficult to define what I like, but it has to be different. I admire a slick style, believable characters, vivid yet economical description and an engaging story. I also like a certain level of quirkiness, as long as it isn't too self-conscious! A few of my favourite writers are Alice Hoffman, Tanith Lee, Jack Vance, Steve Millhauser and Jonathan Carroll, which might give people a potential idea of what appeals to me. I will edit the books that most appeal to me, but we also have a team of other editors who are all very thorough at what they do. I am known as rather a task-mistress with authors I work with, though - so be warned!
Wednesday, April 9, 2014
Para Kindred anthology
Okay, so some of you'll know by now that I have a story that's appearing in the upcoming Para Kindred anthology that's being published by Immanion Press later this month. Well, there's great news, there's a give-away currently happening on Goodreads and you can jump in on the action here. I'm totally stoked that one of my stories is appearing in this collection.
The androgynous and mysterious Wraeththu have risen to replace humanity upon a ravaged world. Following on from the successful anthologies Paragenesis and Para Imminence, this collection of tales focuses upon the enigmas that might be found within the disparate tribes – how Wraeththu could have – or will – develop in strange and unimagined ways.
Based on the world created by Storm Constantine for her Wraeththu novels, the stories in this collection explore different, intriguing aspects of bizarre mutations and specialisations that have arisen, hidden within the developing Wraeththu tribes and throughout the corners of the world. Shape-shifters, semi-mythological beings, or hara who have evolved in other unexpected ways, Para Kindred expands the horizons of the Wraeththu world, touching upon countries – such as those of the Far East and the African continent – that have not appeared in the Mythos before.
Para Kindred features stories from ten writers, some of whom are well known within Wraeththu fandom and/or have written Wraeththu Mythos novels published by Immanion Press. Also included are two new stories each by Storm Constantine and Wendy Darling.
Featuring stories by: Storm Constantine, Wendy Darling, Martina Bellovičová, Ash Corvida, Nerine Dorman, Suzanne Gabriel, Fiona Lane, Maria J Leel, Daniela Ritter and E S Wynn.
The androgynous and mysterious Wraeththu have risen to replace humanity upon a ravaged world. Following on from the successful anthologies Paragenesis and Para Imminence, this collection of tales focuses upon the enigmas that might be found within the disparate tribes – how Wraeththu could have – or will – develop in strange and unimagined ways.
Based on the world created by Storm Constantine for her Wraeththu novels, the stories in this collection explore different, intriguing aspects of bizarre mutations and specialisations that have arisen, hidden within the developing Wraeththu tribes and throughout the corners of the world. Shape-shifters, semi-mythological beings, or hara who have evolved in other unexpected ways, Para Kindred expands the horizons of the Wraeththu world, touching upon countries – such as those of the Far East and the African continent – that have not appeared in the Mythos before.
Para Kindred features stories from ten writers, some of whom are well known within Wraeththu fandom and/or have written Wraeththu Mythos novels published by Immanion Press. Also included are two new stories each by Storm Constantine and Wendy Darling.
Featuring stories by: Storm Constantine, Wendy Darling, Martina Bellovičová, Ash Corvida, Nerine Dorman, Suzanne Gabriel, Fiona Lane, Maria J Leel, Daniela Ritter and E S Wynn.
Labels:
immanion press,
para kindred,
wraeththu mythos
Tuesday, March 4, 2014
The Enchantments of Flesh and Spirit (Wraeththu #1) by Storm Constantine #reviews
Title: Enchantments of Flesh and Spirit (Wraeththu #1)
Author: Storm Constantine:
Publisher: Smashwords, 2009
Possibly one of my biggest sins so far is the fact that I keep meaning to read all Storm Constantine’s Wraeththu Mythos stories but don’t ever quite get round to doing so. So, this is on my “to do” list for 2014. After all, Storm is one of my top favourite authors of all time.
I first encountered her novel, Calenture, and also a number of others way back when I was in my teens. I don’t know quite what it was that drew me to her writing – quite a number of things, actually. Her subject matter always hints at the unfolding of some greater mystery and is filled with references to esoteric subject matter, which is grist for my mill.
Not just that, but you get the idea that events are set up against a greater backdrop of epic proportions. There is an underlying current of eroticism without being explicit. I like that – sexual gratification is often implied rather that gratuitously depicted, which is refreshing in this day and age.
Settings and descriptions are lush. Storm takes her time to place you in her world and, as you read it, it is easy to build up a very vivid image of place and characters in one’s head.
The Wraeththu Mythos has, from what I can see, a small but devoted cult following among Storm’s fans. The world itself has also been expanded by the release of anthologies of stories written by fans of the milieu, not to mention fan art to be found on sites like deviantart.com.
The premise is simple – mankind’s successor, the hermaphrodite Wraeththu, has come into being, and mankind as a species is on the wane. Naturally this shift in the balance of power does not come without a price, and the world we discover is in turmoil.
But instead of putting up a united front, the Wraeththu themselves are in conflict with each other and seemed doomed to repeat the same mistakes as humanity before them.
Wraeththu come across essentially human – like viewing a woman superimposed over a young man. They do not appear to age visibly, and many of them develop magical abilities. They are a young race, and their abilities have yet to be fully explored, so there’s not telling what sorts of powers or abilities will crop up.
It’s clear why Storm begins her story where she does – essentially a coming-of-age tale for one Pellaz, who has spent his formative years as a peasant cable farmer (as for what cable plants truly are, Storm doesn’t tell us – and that’s fine by me. The name and uses suggest a singularly utilitarian crop that is about as inspiring as baked beans. Kinda like young Luke Skywalker working on his uncle’s moisture farm on Tatooine.)
Which makes Pell’s elopement with the mysterious Wraeththu Cal all the more delicious and forbidden. They head off to a settlement known only as Saltrock, which is run by a Wraeththu named Seel – who has envisioned a Wraeththu community where all can live in productive harmony in their self-made Utopia.
We discover the Wraeththu culture through the eyes of Pell the outsider, who like us is unaware of all the subtle undercurrents – and in that way we know only as much as he himself discovers. The first part of this novel is pretty much just a travelogue of Pell and Cal going forth and adventuring, and some fascinating folks along the way.
Then, of course, everything changes. I won’t say what, but there’s enough of a foreshadowing at Pell’s inception for you to figure out that there are larger plans afoot, whether Pell likes it or not.
All I can add is that this mythos will not have broad appeal, especially in this day and age where authors are encouraged to start their stories off with a big bang and lots of trauma. Of course I love the Wraeththu Mythos, for all its intensity and wild beauty and the textured, slow-moving prose. Storm concerns herself with creating moods and weaving a rich tapestry that constructs her rich mythology. Emphasis is placed on complex relationships and vivid world-building.
The story is ripe with detail, and I was surprised by how much of it felt new even with the second read-through of this novel. Mainly, this story is one of those feel-good, self-indulgent tales for me that I can truly immerse myself in the setting – a not-so-guilty pleasure. The Wraeththu themselves are fascinating, enigmatic beings, and if you’re looking for a supernatural creature that is a magical departure from the bog-standard fare of fairies, angels or vampires, then you really cannot go wrong with the Wraeththu Mythos.
Author: Storm Constantine:
Publisher: Smashwords, 2009
Possibly one of my biggest sins so far is the fact that I keep meaning to read all Storm Constantine’s Wraeththu Mythos stories but don’t ever quite get round to doing so. So, this is on my “to do” list for 2014. After all, Storm is one of my top favourite authors of all time.I first encountered her novel, Calenture, and also a number of others way back when I was in my teens. I don’t know quite what it was that drew me to her writing – quite a number of things, actually. Her subject matter always hints at the unfolding of some greater mystery and is filled with references to esoteric subject matter, which is grist for my mill.
Not just that, but you get the idea that events are set up against a greater backdrop of epic proportions. There is an underlying current of eroticism without being explicit. I like that – sexual gratification is often implied rather that gratuitously depicted, which is refreshing in this day and age.
Settings and descriptions are lush. Storm takes her time to place you in her world and, as you read it, it is easy to build up a very vivid image of place and characters in one’s head.
The Wraeththu Mythos has, from what I can see, a small but devoted cult following among Storm’s fans. The world itself has also been expanded by the release of anthologies of stories written by fans of the milieu, not to mention fan art to be found on sites like deviantart.com.
The premise is simple – mankind’s successor, the hermaphrodite Wraeththu, has come into being, and mankind as a species is on the wane. Naturally this shift in the balance of power does not come without a price, and the world we discover is in turmoil.
But instead of putting up a united front, the Wraeththu themselves are in conflict with each other and seemed doomed to repeat the same mistakes as humanity before them.
Wraeththu come across essentially human – like viewing a woman superimposed over a young man. They do not appear to age visibly, and many of them develop magical abilities. They are a young race, and their abilities have yet to be fully explored, so there’s not telling what sorts of powers or abilities will crop up.
It’s clear why Storm begins her story where she does – essentially a coming-of-age tale for one Pellaz, who has spent his formative years as a peasant cable farmer (as for what cable plants truly are, Storm doesn’t tell us – and that’s fine by me. The name and uses suggest a singularly utilitarian crop that is about as inspiring as baked beans. Kinda like young Luke Skywalker working on his uncle’s moisture farm on Tatooine.)
Which makes Pell’s elopement with the mysterious Wraeththu Cal all the more delicious and forbidden. They head off to a settlement known only as Saltrock, which is run by a Wraeththu named Seel – who has envisioned a Wraeththu community where all can live in productive harmony in their self-made Utopia.
We discover the Wraeththu culture through the eyes of Pell the outsider, who like us is unaware of all the subtle undercurrents – and in that way we know only as much as he himself discovers. The first part of this novel is pretty much just a travelogue of Pell and Cal going forth and adventuring, and some fascinating folks along the way.
Then, of course, everything changes. I won’t say what, but there’s enough of a foreshadowing at Pell’s inception for you to figure out that there are larger plans afoot, whether Pell likes it or not.
All I can add is that this mythos will not have broad appeal, especially in this day and age where authors are encouraged to start their stories off with a big bang and lots of trauma. Of course I love the Wraeththu Mythos, for all its intensity and wild beauty and the textured, slow-moving prose. Storm concerns herself with creating moods and weaving a rich tapestry that constructs her rich mythology. Emphasis is placed on complex relationships and vivid world-building.
The story is ripe with detail, and I was surprised by how much of it felt new even with the second read-through of this novel. Mainly, this story is one of those feel-good, self-indulgent tales for me that I can truly immerse myself in the setting – a not-so-guilty pleasure. The Wraeththu themselves are fascinating, enigmatic beings, and if you’re looking for a supernatural creature that is a magical departure from the bog-standard fare of fairies, angels or vampires, then you really cannot go wrong with the Wraeththu Mythos.
Labels:
fantasy,
immanion press,
reviews,
storm constantine,
wraeththu mythos
Monday, September 23, 2013
Runners by Sharon Sant #review
Title: Runners
Author: Sharon Sant
Publisher: Immanion Press, 2013
I'm a bit torn on this book. I really dig the premise and Sharon Sant's done a fantastic job painting an unsettling future that lies quite close to the bone, but I admit I felt a fair amount of disconnect while reading. Part of me *wanted* ... no *needed* the author to go deeper into Elijah's voice.
At most I felt like I was only skimming the surface which at times got a bit frustrating. I wanted to feel more what motivated Elijah and the others.
Pacing wise, things move along fairly slowly and there's a gradual build-up to the climax. I wasn't gripping the edge of my seat or anything but I'd have liked to have garnered more of a sense of urgency.
I want to like Runners a lot. Really. And I love settings redolent with urban decay as this one is. But suspect the fault lies with the reader – I really couldn't relate to the characters. Tessa showed a lot of pluck but we don't really get to see much of her, while Elijah's impulsiveness often has him acting without thinking – and suffering the repercussions. And I find that I didn't really *get* him.
Still, this is an enjoyable read for those who're into their YA lit, and does a good job capturing the frustration of youngsters who're trying to find their place in the world.
Author: Sharon Sant
Publisher: Immanion Press, 2013
I'm a bit torn on this book. I really dig the premise and Sharon Sant's done a fantastic job painting an unsettling future that lies quite close to the bone, but I admit I felt a fair amount of disconnect while reading. Part of me *wanted* ... no *needed* the author to go deeper into Elijah's voice.At most I felt like I was only skimming the surface which at times got a bit frustrating. I wanted to feel more what motivated Elijah and the others.
Pacing wise, things move along fairly slowly and there's a gradual build-up to the climax. I wasn't gripping the edge of my seat or anything but I'd have liked to have garnered more of a sense of urgency.
I want to like Runners a lot. Really. And I love settings redolent with urban decay as this one is. But suspect the fault lies with the reader – I really couldn't relate to the characters. Tessa showed a lot of pluck but we don't really get to see much of her, while Elijah's impulsiveness often has him acting without thinking – and suffering the repercussions. And I find that I didn't really *get* him.
Still, this is an enjoyable read for those who're into their YA lit, and does a good job capturing the frustration of youngsters who're trying to find their place in the world.
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