Assassin's Fate by Robin Hobb

I knew there would be ugly tears at the end of Assassin's Fate. Robin Hobb excels at causing me to break down in ugly tears. There are very few authors who can punch me in the feels the way that she does. It's going to be difficult to write this review without spoilers, but I'm going to give it a stab though at time of writing I'm still feeling quite raw.

Anyone who's been in for the long haul with Robin Hobb will know that the FitzChivalry Farseer books (three trilogies) are part of her larger universe that includes the Liveship books and her related dragon books. It's taken me years, but I've finally caught up with Fitz, the Fool and Nighteyes, whose intertwined fates are complex and often take remarkable turns.

Objectively, this is not the strongest book of the series; at heart it is an extended epilogue. And I understand. Ending a saga with such a perennially popular character like Fitz is *difficult*. There is always the temptation to leave open "happy for now" threads but anyone who knows Hobb's writing will be well aware of the fact that she foreshadows *everything*. And while there are a few red herrings in Assassin's Fate, I was not surprised by the decision she made for the conclusion. It was *right*. I could see it coming a mile off yet I cried so much I had to give my glasses a good wipe afterwards and go wash my face.

I'll say this much: Not many authors can make a novel that is basically an extended sea voyage and rescue exciting, but Robin Hobb succeeds, and it's because of her attention to detail, the examination of the lives of others and their interactions and the smaller conflicts within the greater picture. The story is in its subtleties, and Assassin's Fate is the novel that ties everything together for all the stories that have come before. If Hobb wishes to leave this setting here, that would also be fine and right for me. In fact, it would be a perfect place in all its bittersweetness.

The story itself has a dual nature, part laying to rest of ghosts, part coming of age. Fitz is a man outside of time, who lives with his regrets. And he is tired, and this shows in his interactions with others. Bee represents a fresh current, heir to the incredible stories that have happened before her time, and burdened with being the one who is at the heart of the drama that takes place in the present. This is, as can be understood, a heavy burden to bear yet her trials also serve as a crucible.

I'm not going to go into any further detail, because it's difficult to discuss deeper without spoiling the story. If you've yet to read any of Robin Hobb's books, start with Assassin's Apprentice, book one of the Farseer Trilogy. Then read the Liveship Traders and the Rainwild Chronicles. The Tawny Man trilogy slots in somewhere there too, then finish with the Fitz and the Fool trilogy. You will meet an unforgettable cast of characters, and since I've now read many of the early Fitz books for the second time, I can state with authority as a long-time fan of SFF, that Robin Hobb's stories deserve their place among the classics in the genre, right up there with luminaries like George RR Martin, Mark Lawrence and others who write the kind of fantasy that doesn't shy away from treading on difficult topics with nuance.

Fool's Quest (The Fitz and the Fool #2) by Robin Hobb

BIG DISCLAIMER: HERE BE SPOILERS. YOU HAVE BEEN WARNED.

Also, if you haven't read the preceding books in the trilogies, none of this might make much sense to you.

I really didn't want to reach the point where I hit the end of what's currently available with Robin Hobb's Fitz and the Fool trilogy, but here we have it, book two. Fool's Quest breaks from all the preceding books in that Hobb gives us a new viewpoint character: that of Bee, Fitz's second (and last) daughter with Molly.

So, if you're resistant to the idea of the novel swapping between the two, be prepared for the shifts in voice. While Fitz is reflective, older and may have lost some of his edge (he is an older man in his fifties, though his body is still under the thrall of that misfiring healing spell), we discover the world anew through Bee, who doesn't have all the threads of the past history at her disposal.

In a way, this is a way for Hobb to inject new life, new uncertainty into the setting. There is only so much we can show from Fitz's point of view and the story needs the freshness of a young, inquiring mind.

Bee is also not an ordinary child, as we discover, and her heritage is firmly intertwined with the Fitz/Fool/Nighteyes triad, though I shall refrain from elaborating too much. Suffice to say that Fitz and the Fool share a relationship that transcends the physical. A carving that Bee examines illustrates this relationship beautifully, and Nighteyes remains present, though not in a tangible form (but also in a way that brought a hard lump to my throat).

Fitz as always exists outside of time. The world outside Withywoods, his estate, has moved on. Power has shifted. Kettricken is no longer the primary power; her sons are coming into their own. Nettle has taken on a prominent role at court and my heart bleeds for the often prickly, awkward relationship she has with her father. Fitz, as always, makes poor decisions, for which he and others later pay the price. He is faced with great sadness, with loss, with change that he himself doesn't quite feel and in that he is quite a tragic character.

There is that Other Thing that is foreshadowed quite heavily in book 1 of this trilogy that plays out to its conclusion (inevitable for those of us who're accustomed to Hobb's clue-laying) that ripped my heart out. Yet in a way this was necessary, as this novel is very much a coming of age story, not only for Bee but also for our Fitz, who with the reappearance of the Fool, is once again cast in his role as Catalyst.

Hobb is not in a hurry with her storytelling. As noted by Mark Lawrence, in his review, "There are very few authors who can get me to tolerate considerable detail spent on clothing, gifts, feasting and just plain organizing stuff. George RR Martin somehow manages it, and so does Robin Hobb. I guess that if you write well enough then anything goes."

To that I can't add anything, except to say that to immerse myself in Hobb's writing is to have a fully tactile experience in another world, down to every last detail, and there are times in my life when this sort of measured, highly textured writing that slowly unfurls is *exactly* what I need to make me feel better about having to face my own grind. And hells, book three can't come fast enough. The waiting is pure torture.

Fool's Assassin (The Fitz and the Fool #1) by Robin Hobb #review

Title: Fool's Assassin (The Fitz and the Fool #1) 
Author: Robin Hobb

Generally when authors return to their settings after many years' absence (either in writing or in years for the characters themselves) it doesn't often bode well for the quality of the story. I'm happy to say this is not the case with this third trilogy in the saga of FitzChivalry Farseer – The Fitz and the Fool. A big problem authors face is that of what new and (often) shocking revelations to offer, and we end up with a huge, whooping mess of "Too Much Awesome" [yes, I'm looking at you, Anne Rice, and your vampires]

That being said, I would most emphatically *not* recommend Fool's Assassin to those who've not read the preceding two trilogies. You'll be in the dark as to so much of the nuance and the backstories. So, if you've not read these other books, you probably shouldn't read the rest of the review. If you love nuanced, textured fantasy, just go read those books then say thank you. You won't get those hours of your life back but you'll be ever the richer for the experience.

SPOILERS! SPOILERS! SPOILERS!





Seriously, don't read any further if you don't want spoilers.



[Deep breath]

My feelings about the later Fitz books are complex. There's a part of me that understands that I'll never be able to recapture that same sense of wonder that I had exploring the world through a younger Fitz's eyes as in the first three books. Nor his more measured, somewhat disillusioned self in the catastrophic occurrences that transpire during the second trilogy. And oh, the heartbreak. The feels are...intense.

Nope, the Fitz we encounter in The Fitz and the Fool is an older man who's now coming to grips with the complex role of being a father figure to his extended family. An existence that should be idyllic is tempered with a growing series of annoyances (this is Hobb at her finest, foreshadowing disasters yet to come which Fitz, true to his style, chooses to ignore to his detriment) that eventually all tie up.

Okay. Most of this book is exposition. I'm not afraid to say it. In a sense, this is Hobb taking a huge breath and reframing her world, and two other central themes are change and loss. He has always hoped (at least in the preceding books) to one day have this life, but sadly for him his past has an uncanny way to grasp hold of his present.

Perhaps the most obvious is the fact that outwardly he has not aged, while Molly, the love of his life, is growing older. (This is due to a healing spell that exceeded far beyond expectations in an earlier instalment). Fitz is a man who exists outside of time. He has lost so much – Nighteyes (though our favourite wolf is very much present in spirit) and, of course, The Fool, who in my eyes is Fitz's other great love). Fitz grapples daily with the fact that his world has changed while he himself has grown more insular perhaps, set in his ways. And he excels at self-isolation, as we have already discovered.

This novel doesn't have a huge, earth-shaking plot, but it is certainly gripping in the sense that it sets up events that are important in the future even if the pace crawls along (and I certainly say that you read this novel to have a slice of Fitz's life and to understand what motivates him in what follows). And there is The Thing that happens. It is an awesome Thing. Canny readers will facepalm that Fitz is so blitheringly unaware of The Thing as it comes to fruition, but there's that little bit of wonder that you will feel when you see it unfold, and oh, Molly, she is a joy. Just to have one book devoted to the love between Fitz and Molly is a reward in itself. Fitz might not set out to save the world (just yet) but this bittersweet novel will introduce you to the players who'll be important in what's to come. I missed The Fool's presence terribly with this book #1 but a little anticipation never did anyone any harm.

The Tawny Man Trilogy by Robin Hobb #review

The Tawny Man Trilogy by Robin Hobb
(Fool's Errand, The Golden Fool, Fool's Fate)

Where do I even begin? This year I credit my survival as being partially due to good friends and Robin Hobb's books, and The Tawny Man trilogy was key to my emotional and psychological well-being.

FitzChivalry Farseer is by far one of my favourite characters. Life has handed him a raw deal. Every time you think he's at the top of his game, or that things are finally going right for him, the metaphorical rug gets pulled out from beneath his feet.

We learn in this series more about his special relationship with the Fool, and how the two of them are responsible for setting the world to rights. You'd think that Fitz and Nighteyes would slip quietly into history after their high adventure and derring-do to wake dragons and save the Six Duchies from the Red Ship Raiders and a mad king. But no.

This is not the case.

Though Fitz considers himself old, and Nighteyes is even more so a venerable wolf who has long outlived his natural years, the two are dragged into fresh misadventure when they are sent to discover the fate of Queen Kettricken's son. As much as Fitz loathes politics and intrigue, he truly comes alive when he is thrust into the midst of it.

We learn much of how the Wit magic works, as not only do we discover a conspiracy of the Witted to seize power, but there is fresh concern over the fact that the missing Prince Dutiful is betrothed to an Outislander princess.

And there is what I call That Thing That Happens that astute readers would have understood implicitly is coming, is unavoidable, but Hobb sneaks it up on readers with such flair, with such awful dignity and precision that I had to put the book down and have a good, ugly cry for a quarter of an hour. Then I reread that scene again and had to go wash my face. The only other authors who've succeed in reducing me to a blubbering wreck are JRR Tolkien (I cry every time the elves return to the West) and of course Richard Adams's Watership Down.

Fitz and the Fool go on to have hectic adventures, travelling far afield on the trail of, yes... Dragons. While I do feel the pace does flag at times, and Hobb certainly (and rightfully so) is in no hurry to tell the tale, those hankering after fast-paced action may whinge a bit. (And yes, how I loathe those types of readers). This is a story where you let go and immerse for individual scenes, for the descriptions for the incredibly detailed cultural heritage she has constructed. Hobb's rich world-building, her well-realised, three-dimensional characters make this an unforgettable experience. And, of course, every exquisite detail. Pay attention when you read, because often it's the smallest, seemingly inconsequential details that later have earth-shattering ramifications.

This is a story about love, and what people are willing to do for the ones who are dear to them. It's about the secrets that turn around and bite them later; the sacrifices people make. Central to this is the triad of Fitz/The Fool/Nighteyes, and how the three are but parts of one complex character, or rather expressions of the same – a composite that has grown together. And yes, there are times when Hobb rips out your heart, just as she does with Fitz, but then she puts it back together again in the most unexpected ways to make you gasp and place a hand on your chest.

If ever there is an author who inspires me to do better as an author, it's Hobb. Sometimes authors don't stand the test of time; sometimes you return to their writing years later only to be disappointed horribly, (um hello, David Eddings). Not so with Hobb.